Free black mafic LUTs, which stands for Look-Up Tables, are a valuable resource for photographers, videographers, and other professionals in the visual media industry. LUTs are essentially color grading presets that can be applied to footage or images in order to achieve a desired look or feel. They are widely used in the post-production process to enhance the overall aesthetics of the final product. Black magic LUTs specifically cater to the cameras and software of Blackmagic Design, a renowned manufacturer of digital cinema cameras. With free black magic LUTs, users can enhance the colors, contrast, and overall appearance of their footage, creating a visually appealing result. These LUTs are specifically designed to work with Blackmagic Design's cameras, such as the Pocket Cinema Camera, URSA Mini Pro, and others.
It means that the LUT is processed with the official Blackmagic RAW Decoder SDK designed by Blackmagic Design (which we are always using in BRAW Studio to decode your BRAW file), and should give you the best possible result !
The BRAW sidecar file has also a particularity the BRAW parameters it contains will be used when choosing Decode Using - Camera Metadata , so the basic look of your BRAW if you don t change anything. When creating these LUTs, I used the native camera-brand LUTs as a baseline and then made additional adjustments to enhance color balance, contrast, saturation, and other key variables.
These LUTs are specifically designed to work with Blackmagic Design's cameras, such as the Pocket Cinema Camera, URSA Mini Pro, and others. One of the advantages of free black magic LUTs is that they save professionals valuable time in achieving their desired look. Instead of spending hours manually adjusting the colors and tones of their footage, they can simply apply a LUT and instantly transform the visual appearance.
Free Download: Camera LUTs For Sony, Lumix, Blackmagic, Arri, RED, Canon, Fuji & More!
Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have you covered with this free set of camera-specific LUTs for Sony, Lumix, Blackmagic, Arri, RED, Canon, Fuji & iPhone!
Conversion LUTs are of course applied to raw footage and used to create neutral starting point for your creative color grade. Most camera brands offer LUTs for use in post-production, but the quality of their native LUTs isn’t always great.
With that in mind, I decided to create a a brand new set of color grading LUTs to replace (and improve upon) the LUTs being used with many of today’s popular cinema and video cameras.
When creating these LUTs, I used the native camera-brand LUTs as a baseline and then made additional adjustments to enhance color balance, contrast, saturation, and other key variables.
The end result are conversion LUTs that deliver natural and organic color palettes, creating the perfect starting point for further stylization.
Below is a list of formats the new LUTs are compatible with, along with some of the cameras you can apply them to.
- Sony S-Log(A7S III, A7S II, A7 III, A7R III, FX3, FX6, FX9, FS5, FS7)
- Canon C-Log(R5, R6, C100, C200, C300, C500)
- Arri Log-C(Alexa Classic, Amira)
- Fuji F-Log(X-T3, X-T4, X-S10, X-T30, X-Pro3, X-H1, X-E4, X100V)
- Lumix V-Log(GH5 II, GH5S, GH5, BGH1, G9, G90, S1, S1H, S5)
- Blackmagic Film(BMPCC, BMPCC 4K, BMPCC 6K, Ursa Mini G2, Ursa Mini 12K)
- RED IPP2(Gemini, Helium, Monstro, Dragon)
- iPhone(All current models)
I’ve made these LUTs publicly available for free download through the CINECOLOR website.
This is the platform where I also share professional creative LUTs, film emulations, 6K film grain files, and other post-production assets.
I plan to add more free LUTs to this new collection soon, so if you have a request for a specific LUT you would like added, please leave a request in the comments below.
When you’re ready, here are 3 ways I can help you:
1. Make a feature film today: The No-Budget Feature Film Blueprint
2. Build your network and sharpen your craft in our community: The Backlot
3. Color grade & polish your footage with my post-production tools on: Cinecolor
About AuthorNoam Kroll
Noam Kroll is an award-winning Los Angeles based filmmaker, and the founder of the boutique production house, Creative Rebellion. His work can be seen at international film festivals, on network television, and in various publications across the globe. Follow Noam on Twitter, Instagram and Facebook for more content like this!
It means that if you change the BRAW Settings in Premiere Pro and export the sidecar, when looking at it in the BRAW Player, in Davinci Resolve or in After Effects, you will see the footage with the BRAW Settings changed in the sidecar directly without doing anything.
This is especially beneficial for those working on tight deadlines or in a fast-paced production environment. Furthermore, free black magic LUTs provide a wide variety of creative options. They come in various styles, such as cinematic, vintage, monochrome, and more, allowing professionals to experiment and explore different visual aesthetics. Whether one prefers a bold and vibrant look or a subdued and moody atmosphere, there is a black magic LUT available to suit their needs. Additionally, these LUTs are compatible with popular post-production software like Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro, and others. This compatibility ensures that professionals can seamlessly integrate the LUTs into their existing workflow, without the need for additional software or complicated setup. In conclusion, free black magic LUTs are a valuable resource for professionals in the visual media industry. They provide a quick and efficient way to enhance the aesthetics of footage, while offering a wide range of creative options. With their compatibility with popular software and ease of use, they are a must-have tool for any photographer or videographer looking to achieve stunning visuals in their work..
Reviews for "Add a Mystical Touch to Your Videos with Free Black Mafic LUTs and Create a Magical Narrative"
1. John - 2/5 stars - I was really disappointed with the Free black mafic luts. The colors were way too saturated and unnatural, making my footage look completely over-edited. The black levels were also way off, resulting in a loss of detail in the shadows. I ended up having to spend more time adjusting the colors to make my footage look natural, which defeated the purpose of using the LUTs in the first place. Overall, I would not recommend these LUTs.
2. Sarah - 1/5 stars - I found the Free black mafic luts to be extremely limited in terms of customization. There were very few options to adjust the intensity or tone of the LUTs, which made it difficult to achieve the desired look for my footage. Furthermore, the LUTs seemed to be designed for specific types of footage and did not work well with a variety of settings. I was disappointed with the lack of versatility and ended up not using these LUTs at all.
3. David - 2/5 stars - The Free black mafic luts did not live up to my expectations. The colors were too harsh and saturated, and the contrast was too strong, resulting in loss of detail in both highlights and shadows. Additionally, when I tried to apply the LUTs to different footage, they often did not work well, causing strange color shifts and artifacts. I found myself having to make additional adjustments to correct these issues, which defeated the purpose of using pre-made LUTs. Overall, I was not satisfied with the results I achieved with these LUTs.