Once upon a time, in a mystical land, there lived a witch like no other. Her name was Isabella, and she was known far and wide for her extraordinary pearl colored hair. This unique trait set her apart from all other witches. Her hair shimmered and gleamed in the sunlight, making people stop and stare in awe. The pearl color was so rare and enchanting that some believed it possessed magical powers. Isabella was not your typical witch.

User Reviews

This is nothing more than a attempt to grab cash from the crowd thats dumb enough to think that its the movie from the conjuring series. looking at carhurs review really kind of verifies that since he seems to be one of those people. just a shoddy b horror

I watched this movie today, wasn't really scarry, but more like mystic, endless mystical circle, overall so so because i never got afraid at all

Within the first 15 minutes it became apparent I'd click on the wrong movie. Stuck with it just to see what happened in the end. Confusing storyline, bad acting and 87 minutes of my life and a pay per view fee I'll not get back. One thing I took from it is pay the correct price for pizza. I think everything's ok if you don't shortchange the pizza guy by 3 cents

Anna (Lacy Hartselle ) finds herself stuck in a rental with the murdering ghost of Sister Catherine (Rae Hunt). She is aided by maintenance man and ghost hunter KK (Brad Belemjian).

The ghost wears a rubber mask. In the doorway scene with KK, the bottom gap of the maks is clearly visible for quite a few seconds. Also uses a voice distorter.

The film had some elements of "1408" but the antics were inconsistent. I am not sure how one can kill a ghost with a sledgehammer when bullets go through them. Anna had a number of illusions, I guess to trick her, but to do what exactly?

Guide: No sex or nudity. I thought I heard the F-word from the maintenance man.

The film opens in a very cheap setting with miserable camera angles hosted by the worst acting I have seen in a long time. Instantly I'm made to think this is how the idea was born. "Hey John. Mom left her camera here, do you want to shoot a movie?!" Throughout the film the dialogue is dreadfully slow. The dead space between each sentence builds boredom like I have never felt before. The entire film could have been half the time. The only part that made me feel anything aside from bored was the kissing, what I was feeling was a dry heave sensation. Super awkward kissing. Another thing, the lead actress looks 19, and her daughter looks about 8.

Ridiculous dialogue starting with the lead actress first minutes on screen. We find out that the daughter of the lead in last place they lived she had to sleep on the floor so you would this she would whatever she had to so the her kid had a place with a bed but the first thing you here her say your not going to make me change my look nose ring and for some blonde hair. She is more concerned about keeping the nose ring more then her daughter getting a bed. At no point in this movie did the lead not look like she was acting every move every word. All of her interactions you could see that nothing was natural you could see she had to think before doing anything, the worst acting had to be after the nun stabs her in the stomach no blood at all and from this scratch again there is no blood and she starts to pass out from a scratch. I'm trying to think I've seen worse acting and nothing comes to mind. Maybe a tiny bit of can be said for her strong female lead and she keeps her clothes on which is novel but she is so bad this movie is not worth the time. Unless you've done something you feel you need to be punished for and can't think of how to punish this will do nicely.

Story is bad. Acting is bad. Cinematography is bad. Everything is bad. Tried to copy Conjouring but even the title is a bad rip-off.

The most horrifying thing about this pitiful excuse for a middle school film project is the acting, the plot, the writing: heck, it is all terrible. Only watch this is you are about to hang yourself and want yet another reason to.

Just bad as it is. Every time when i watched something i thought, i found the worst movie. until now. Officially the worst movie of all time. No further comment.

Quite terrible movie. Not scarry at all, rather funny at some moments. Tried to copy conjuring I suppose with no luck unsurprisingly.

Tell Aaron to go sell pizza in real life and not direct movies ever again. Very bad movie i dont recommend anyone to watch it. You will waste 2 hours of your life to trash.

Thanks to a new husband, Anna (Lacy Hartselle), is ready to move to a beautiful new home. As she gathers the last of things from her rental house, she can't help but think of her troubled past and her long goth experience. Anna can't stop feeling unworthy of the new life ahead or her. As she tries to finish up and leave, a strange spirit overcomes her and tries to keep her in the house. That spirit seems to be of a deranged Nun somehow stuck in purgatory demanding that young Anna keep her company. The story is tedious making the movie a bit jerky and not scary at all. Rounding out the cast: Brad Belemjian, Alice Raver, Jonathan Everett and Rae Hunt as Sister Catherine.

A great movie, if you are under the influence of alcohol or drugs. I sincerely believe there should be some sort of commity that should prevent this kind of mess from ever making it to the screen.

I certainly agree with the title of this film about one thing . certainly a curse😡.

This is genuinely the worst horror film I have ever seen, possibly the worst film I have ever seen. Bad acting, bad effects, bad storyline, everything about this film was bad. Even the prop gun lacked any real authenticity when shot. I understand this is a low budget film, but honestly, I think they would have been better saving the budget from this film and putting it towards something different. Avoid - unless you like your life being wasted!

Well, yes - this is a knock-off of 2018's 'The Nun'; but then, everything is a knock-off of something, just with varying degrees of blatancy. Surely if 'Curse of the Nun' is entertaining in its own right, there's no problem, is there?

A low budget venture, director/writer Aaron Mirtes and his cast of actors must know how this production will be regarded as a copy, yet they still give it their all. Lacy Hartselle is particularly good in the title role of Anna, infusing her character with gusto, energy and spirit. There is no real let-up in the haunting either - they are there from the get-go and keep on coming until the end credits.

My only issues are than Anna looks incredibly young to have a daughter and to be embarking on her second marriage - also the recurring 'hook' of her questionable attitude to the pizza delivery lad remains in the memory (which is its purpose, I think), but for the wrong reasons: it does her otherwise likeable character no favours whatsoever.

Knock-off or not, this has nothing to do with 2018's film, other than the ghostly manifestation of the title, and as a venture in its own right, isn't a bad way to spend 80 minutes of your time. My score is 7 out of 10.

I dont think that this should be called a movie. A repeated story, with bad direction,bad cast and bad scenes

First of all the whole movie takes place in daylight lol but still manages to get some scary stuff in but the acting is pretty bad and I wouldn't watch it again because it's boring for the first hour of the movie and some of the nun scenes are dumb the way they are. One scene shows a plate falling out of a covert and it's suppose to be scary like bruh the movie is right below a "Meh"

I thought I was going to watch a horror movie. It's a comedy/horror movie. I didn't watch the movie more than 5 minutes. You are not supposed to laugh to horror movies 👎🏻 I would give zero stars if it was possible

I came upon this movie while lurking through my Vudu feed and decided to give it a shot. I mean, why not since we are under quarantine due to COVID-19. I thought this movie would be a fun, little scare. Boy, was I wrong. I would much rather watch paint dry. The characters are too simple to even try to like, the story line is mediocre at best and the acting makes me wanna fall asleep. The only good thing about this movie is seeing the end credits pop up on the screen.I HIGHLY recommend people to stay away from this cinematic train wreck

Really horrible from the start. The main actress appears to be 16 years old (though was 25 when she made this), so the first scene is immediately confusing as it appears a teenage daughter is moving out with her family. She doesn't even give the pizza delivery guy a tip which also seems like a teenage thing to do. Come to find she's the adult mom in the story, but always seems to be 16 throughout the movie. So many other problems though. A spirit nun who can hover and switch forms has to use the ladder up to the attic? And you can somehow hide from her at certain times but others she knows exactly what you're up to. Really poorly thought out. I liked The Nun movie originating from the Conjuring series. This is like the sequel made by high schoolers who aren't into films and didn't research the background (because high schoolers with any interest in film would have done 10 times better).

Such a bad film. Poor script, no thought has gone into the plot, it's disjounted, jumps from theme to theme, zero story continuity. Just doesn't make any sense. Obviously trying to jump onto 'the nun' popularity. A very poor imitation. Absolutely no redeeming features. Don't bother.

Curse of the Nun (2019)

Director/Screenplay/Producer – Aaron Mirtes, Photography – Chaz Olivier, Music – Kristopher Bendrick, Makeup Effects – Renonda Anderson. Production Company – Exit 10 Films/High Octane Pictures.

Cast

Lacy Hartselle (Anna Winter), Brad Belemjian (Kenneth ‘KK’ Rubinstein), Jonathan Everett (Mike), Cale Adcock (Lex), Kate Kilcoyne (Claire), Alice Raver (Donna Winslow), Rae Hunt (Sister Margaret Catherine), Michael T. Flynn (Pizza Man #1)

Plot

Anna Winter, her husband Mike and Claire, her daughter from a previous abusive relationship, are about to move out from his Aunt Donna’s home. As Anna packs their things, she experiences a series of terrifying apparitions of a nun who leaves messages saying ‘Stay’. Anna then finds that she cannot leave the house. She is joined by the ghost hunter KK. He tells her that the nun used to live there when the house was church property. After dying, the nun believed she was in purgatory and that it was her duty to defend the church grounds against all interlopers.

Curse of the Nun could be considered a Mockbuster – films that are made quickly intended to exploit a recent fad or sound like the title of another film. In this case, Curse of the Nun appears to have been made to exploit the success of the James Wan-produced The Nun (2018), a spinoff of The Conjuring series, which was released thirteen months before this was. The Nun heralded a revival of the Nunspolitation phenomenon – a brief fad of the 1970s featuring killer nuns or nuns in erotic embrace, although these modern films took more of a fantastical bent with supernaturally avenging ghost nuns. Following the release of The Nun , we have seen other nun films such as The Bad Nun (2018), Bloody Nun (2018). Curse of the Nun should not be confused with A Nun’s Curse (2019), which came out the same year.

Curse of the Nun was the second film for director Aaron Mirtes who had previously made Clowntergeist (2017). Mirtes would follow this with American Hunt (2019), The Alpha Test (2020), Ouija Craft (2020), The OctoGames (2022), Painted in Blood (2022) and The Bigfoot Trap (2023), as well as producing Death Ranch (2020). Mirtes can be briefly seen on screen as the second pizza delivery driver that turns up to deliver to the house right at the end.

Rae Hunt as Sister Margaret Catherine

Curse of the Nun is made on a low-budget but Aaron Mirtes gives it undeniable imagination in some places. I liked the opening scene with Brad Belemjian trapped in a room where no matter what door he opens it returns back to the room – a scene lifted from Mario Bava’s Kill … Baby Kill (1966). Mirtes delivers some okay jumps and the film passes better than most of its B-budget ilk. The middle of the film tracks off into some weird kind of rubber reality where Lacy Hartselle seems to be trapped in an alternate version of her life where you are not quite sure what is going on.

I do have a slight believability issue with the casting. I don’t have any information on Lacy Hartselle’s age. One internet source mentions she was born in 1993, which would make her 26 when the film came out. She looks all of about twenty on screen and could play roles as a teenager with zero problem. On the other hand, we are told she is divorced and has a kid that is eight years old. The question then is – when exactly did she get married and manage to have a kid? Because if she did, she would in all probability have had to have started when she was underage. In actuality, it feels like the role is a part that was written with someone in their thirties in mind that ended up being cast with a much younger actress.

Review: 'A Nun's Curse'

A NUN'S CURSE, written and directed by Tommy Farcloth, has one of my favorite horror babes, Felissa Rose of Sleepaway Camp, as Sister Monday. When I heard she was in this film, I was all in. I mean, how iconic is she?

The movie starts off with a young Ashley-Kae (Ashley-Kae Luker) talking about how she is always seeing a scary nun (Sister Monday). She's afraid to sleep, because she knows the nun is under her bed, waiting to get her. If her closet door is cracked, she knows the nun is behind it, waiting to get her.

I will say, the opening is amazing and totally creepy. It's simple and straight to the point, but very eerie with the natural lighting. The opening ends with the young Ashley-Kae opening her closet door, and letting out a huge scream. You don't see what she sees, which always lets your mind run wild with assumptions.

Cut to four travelers, heading to the family lake house. We now meet an older Ashley-Kae (Erika Edwards). Her sister, Gabby (Kristi Ray), absolutely nails the b*tch role. You really can't stand her in this film. I love a good b*tch. Gabby's boyfriend, Anthony (Damian Maffel) was my comic relief throughout the whole film. He is supposed to be your typical douche-y character, but he was actually my favorite one.

Then we have the random friend, Michael (Gunner Willis), who doesn’t really seem to fit in the group. He has one class with Ashley-Kae in college, and that’s really his only connection. They aren't even friends outside of school, so why is he there for a lake house weekend trip? Anywho…

Ashley-Kae planned stops throughout the drive, to check out and take pictures of old haunted and eerie places, since she is a lover of the macabre. Her favorite memory is her father telling her stories of a scary nun, named Sister Monday. Even though she was always scared of this nun, the story still excited her. As they are about to leave, Anthony can't find his car keys. Later, you come to find out that Ashley-Kae took them, because she wanted to check out the abandoned jail, where Sister Monday worked and was accused of killing many prisoners. But since there was a storm coming, she used the excuse of grabbing shelter until the storm passed to get everyone to stay.

“The Nun II” and the curse of film franchises

“The Nun II” is a Gothic horror film from director Michael Chaves, and it serves as the ninth installment of “The Conjuring” universe. The story follows Sister Irene as she investigates the murder of a priest, forcing her to once again face the demon nun Valak.

While this is a vast improvement over 2018’s “The Nun,” this film is, unfortunately, just a movie that exists. Granted, the film is genuinely entertaining at points, and there are some well-crafted scares. But even though this is a decent movie (and far from the worst film in the franchise), the mediocrity is yet another nail in the coffin of a cinematic universe that refuses to die.

One of the best elements of this film is Chaves’ directing. All three of his feature films have been entries in “The Conjuring” franchise, with his first two films being the underwhelming “The Curse of La Llorona” and the mediocre “The Conjuring: The Devil Made Me Do It.” Thankfully, it seems like he has actually learned quite a bit from his experience working on each film, and it really shows in “The Nun II.” The genuine scares in the first two acts come from the direction. I wouldn’t say that Chaves’ work here is as masterful as Wan’s directing for the first two “Conjuring” films or Sandberg’s on “Annabelle: Creation,” but it shows quite a bit of promise.

The cinematography was another improvement over “The Nun.” The original film looked black and blue for the entire runtime, so it was kind of an eyesore; not only that, but the lighting wasn’t all that great either. “The Nun II,” thankfully, has a more varied color scheme and better lighting, which creates a more engaging atmosphere.

The performances from returning actors Taissa Farmiga (“American Horror Story”) and Jonas Bloquet (“1899”) were also great, and I actually cared about their characters a bit more in this film than I did in the original. Their characters are still admittedly one-dimensional (for the most part), but each actor managed to elevate the material. Bloquet stole the show with his natural charisma and expressive eyes.

This film is unfortunately dragged down by quite a bit, including its surprisingly formulaic screenplay. Akela Cooper wrote the first draft, and previously wrote “Malignant” and “M3GAN,” the former of which is a guilty-pleasure, campy favorite of mine. Her involvement was the main reason why I was even excited about this film in the first place, despite my overall hatred for “The Nun.”

Unfortunately, her initial draft was then re-written by Richard Naing and Ian Goldberg, who previously wrote the screenplay of “The Autopsy of Jane Doe.” That film, much like “The Nun II,” is an example of a talented director elevating a middling script and turning it into a mediocre movie. I watched this movie pretty recently, but I can’t remember a single line of dialogue. Not only is this yet another fetch quest for a Biblical, mystical MacGuffin, but there’s also a predictably annoying plot twist near the end.

Another problem with this film is that, like the first “Nun” movie, this is a prequel to “The Conjuring 2,” where Valak is the primary antagonist. Prequels, unfortunately, come pre-packaged with the problem of certain characters’ fates already sealed, but that doesn’t always have to be the case. Not only did the franchise do this successfully with “Annabelle: Creation,” but last year’s “Orphan: First Kill” was another successful horror prequel. Both of these films manage to take their narrative limitations and play around with them in captivating ways, and I’m disappointed that this film didn’t even seem to really try.

“The Nun II” is a perfectly decent horror film on its own, and it seems to suggest a strong future for director Michael Chaves. Unfortunately, this is yet another entry in “The Conjuring” universe that seems to suggest that the franchise has long outstayed its welcome. To quote Judd Crandall of “Pet Sematary” — “Sometimes dead is better.”

Isabella was not your typical witch. While other witches focused on casting spells and brewing potions, she preferred to spend her time exploring the wonders of the world. She had a deep love for nature and sought to understand its secrets.

Isabella believed that magic could be found everywhere, not just in her cauldron or spell books. With her pearl colored hair flowing behind her like a river of moonlight, Isabella would venture into the woods, searching for hidden treasures. She would sit by a babbling brook, listening to its soothing melody and observing the delicate dance of the forest creatures. Isabella's pearl colored hair was not just a physical attribute but a reflection of her spirit. It represented her ethereal nature and connection to the mystical realm. As she walked through the village, spreading kindness and wisdom, people could not help but be drawn to her luminous presence. Although her hair made her stand out, Isabella never used it to intimidate or manipulate others. Instead, she used her unique appearance as a way to inspire and uplift those around her. People would often approach her, seeking advice or guidance, and she would gracefully share her wisdom, helping them find their own magic within. Isabella's pearl colored hair became a symbol of hope and beauty in the community. It reminded people that there is magic in being different, that embracing our unique qualities can lead to greatness. Her hair was a reminder to appreciate the wonders that exist in the world, to explore and seek out the extraordinary. In the end, Isabella's pearl colored hair was not just a physical trait but a representation of her inner light and enchantment. It served as a constant reminder to all who encountered her that magic exists within us all, waiting to be discovered. And so, Isabella continued to weave her spell of wonder and inspiration, touching the lives of all who crossed her path..

Reviews for "The captivating charm of the witch with pearl colored hair"

1. Jessica - 2/5 stars - I had high hopes for "Witch with pearl colored hair," but unfortunately, it fell short for me. The story felt disjointed and lacking a clear plotline. The characters were also underdeveloped, making it difficult for me to connect with them. Additionally, the dialogue felt forced and unnatural, making it hard to become fully immersed in the story. Overall, I was disappointed with this book and would not recommend it.

2. Robert - 1/5 stars - I found "Witch with pearl colored hair" to be incredibly boring and uninteresting. The story lacked excitement and failed to hold my attention. The pacing was slow, and the writing style felt monotonous. I also struggled to connect with the protagonist, as she lacked depth and complexity. Overall, I was highly disappointed with this book and would not suggest reading it.

3. Sarah - 2/5 stars - I was initially drawn to "Witch with pearl colored hair" due to its intriguing title, but unfortunately, the execution didn't live up to my expectations. The story felt overly predictable and cliché, leaving no room for surprises or plot twists. The writing style was also subpar, lacking descriptive language and failing to create a vivid atmosphere. Overall, I was underwhelmed by this book and wouldn't recommend it to others.

Embracing your uniqueness: lessons from the witch with pearl colored hair