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In pagan traditions, the Wheel of the Year is a symbolic representation of the changing seasons and the cyclical nature of life. It consists of eight festivals, also known as Sabbats, which are celebrated throughout the year. Each Sabbat holds its own significance and is associated with specific themes, customs, and rituals. One of the most important Sabbats is the Winter Solstice, also known as Yule, which marks the longest night and the shortest day of the year. It is a time to celebrate the return of light and the rebirth of the sun. Many pagans gather around bonfires or candle-lit altars, exchange gifts, and decorate their homes with evergreens, holly, and mistletoe.

I always believed that when you follow your heart or your gut, when you really follow the things that feel great to you, you can never lose, because settling is the worst feeling in the world.

At the new movie s screening at Fantastic Fest in Austin, Texas, last month, screenwriter David Kajganich told his audience that he drew ideas for the film s dance from the works of German choreographers Mary Wigman and Pina Bausch, as well as Sasha Waltz, whom he shadowed while researching the script. But on this sunny California afternoon, Rihanna arrived casually turned out, in a vintage Guess leather biker jacket, green Vetements sweatpants, and a Star Wars T-shirt.

Many pagans gather around bonfires or candle-lit altars, exchange gifts, and decorate their homes with evergreens, holly, and mistletoe. Imbolc, also known as Candlemas, is celebrated on February 2nd and represents the first signs of spring. It is a time of purification and initiation, where pagans light candles to symbolize the returning light and perform rituals to honor the goddess Brigid, associated with healing and creativity.

The Dance Legends Who Inspired Suspiria’s Bewitching Movement

If you want to understand what really makes Tilda Swinton’s coven move, you’ll need this crash course in dance history.

Though it’s set at a ballet school, Dario Argento’s 1977 Suspiria has very little to do with dance. We see that film’s star, Jessica Harper, stumble through a few steps before feeling ill and collapsing; meanwhile, her fellow ballet students move just outside the frame. The film is not overly concerned with how that movement looks.

But Luca Guadagnino’s 2018 adaptation of Argento’s classic adds a political subplot, drastically changes the story’s color scheme, and, perhaps most notably, centers dance as an essential part of Susie’s (Dakota Johnson) story. With the help of the movie’s choreographer, Damien Jalet, Guadagnino taps into the otherworldly choreography of an austere era, unlocking a physical expression that is entirely absent from the original.

Like the first film, the remake is set in 1970s Germany, around 100 years after Isadora Duncan’s star began to rise and the early modern-dance movement began—a rebellion against the confinement of classical ballet. Those dancers kicked off their tight pointe shoes to go barefoot onstage, and freed their bodies from ballet’s rigid first-second-third-fourth-fifth positions. Some dancers pursued styles that favored a kind of naturalism, like walking across the stage without a pointed foot. Others shaped their bodies with movement too sharp or linear to fit within ballet’s supple motion. Duncan wore billowy costumes instead of ballet tights and tulle skirts. Her contemporary Katherine Dunham incorporated steps from Caribbean and black folk dances, at a time when ballet companies weren’t hiring black dancers for leading parts.

Perhaps no name in modern dance is quite as recognizable as Martha Graham. Her namesake technique inspired countless others, and there are numerous nods to her work in Suspiria—even the floor-length dress Tilda Swinton’s character, Madame Blanc, favors in the movie. Her approach largely focused on contracting and releasing one’s muscles, and the tension-filled movement between those motions. They could be sharp kicks or subtle moves that worked off the rhythm of one’s breathing. There was an element of control and poise in her steps.

But the film’s choreography is a touch more contemporary than Graham’s pioneering work; it takes place in 1977, decades after Graham’s early-20th-century heyday. By that time, modern dance’s offspring, contemporary dance, was taking hold in companies across the United States and Germany. At the new movie’s screening at Fantastic Fest in Austin, Texas, last month, screenwriter David Kajganich told his audience that he drew ideas for the film’s dance from the works of German choreographers Mary Wigman and Pina Bausch, as well as Sasha Waltz, whom he shadowed while researching the script.

The Spring Equinox, also known as Ostara, occurs around March 21st and marks the balance between day and night. It is a time to celebrate fertility, growth, and new beginnings. Pagans often decorate eggs, plant seeds, and create flower crowns as symbols of the blossoming season. Beltane, celebrated on May 1st, represents the peak of spring and the coming of summer. It is a time to celebrate the abundance of life and the union of the god and goddess. Bonfires are lit, maypoles are danced around, and pagans often participate in rituals to honor the earth's fertility and vitality. The Summer Solstice, also known as Litha, occurs around June 21st and marks the longest day and shortest night of the year. It is a time to celebrate the power of the sun and the abundance of nature. Pagans may gather at stone circles or other sacred sites to witness the sunrise, perform rituals, and give thanks for the blessings of the season. Lammas, celebrated on August 1st, represents the first harvest and the onset of autumn. It is a time to give thanks for the bounty of the earth and to acknowledge the sacrifice of the grain god. Pagans often bake bread, make corn dolls, and hold feasts to honor the harvest and share its abundance with others. The Autumn Equinox, also known as Mabon, occurs around September 21st and marks the balance between day and night once again. It is a time to give thanks for the harvest, reflect on the past year, and prepare for the coming darkness. Pagans may create altars with fruits, vegetables, and grains, perform rituals for balance and gratitude, and take part in communal celebrations. Finally, Samhain is celebrated on October 31st and represents the end of the harvest and the beginning of the dark half of the year. It is a time to honor ancestors, commune with spirits, and reflect on mortality. Pagans may light bonfires, carve pumpkins, and perform divination rituals to connect with the spirit world. As we enter the year 2022, pagans around the world will continue to honor and celebrate the Wheel of the Year. Each Sabbat provides an opportunity to connect with nature, deepen spiritual practices, and celebrate the cycles of life. By observing these ancient traditions, pagans seek to cultivate a deeper connection with the earth, the seasons, and the divine forces that govern the universe..

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