Prior magical composition refers to the creation of magical spells or enchantments before they are cast or invoked. It involves the careful construction and arrangement of magical elements, words, and gestures to achieve a desired outcome. This process of premeditated magical composition is a cornerstone of many magical traditions and is considered essential for effective spellcasting. In prior magical composition, practitioners may draw upon a wide range of knowledge and techniques, including the study of ancient texts, experimentation with different magical ingredients, and personal intuition or inspiration. The composition of a spell often requires an understanding of the underlying principles and laws of magic, as well as a mastery of the specific magical tradition or system being practiced. The process of prior magical composition can vary greatly depending on the magical tradition or practitioner.
Introduce Into the Land of the Unicorns and read the excerpt from the book.
They can use their own name, for instance, Erin s Unicorn, or come up with something completely original that refers back to their magical power, like Lighthealer. Because of the popularity of the literary genre, however, visual art in the magical realist style is often referred to as two different camps new objectivity, or post-expressionism.
The process of prior magical composition can vary greatly depending on the magical tradition or practitioner. Some may follow a strict set of guidelines or formula, while others may rely more on intuition and personal creativity. Regardless of the approach, the intent and purpose of the spell are always central to its composition.
Making a Magical Creature
Introduce the idea of stories and the importance of creating a character. Ask students: what makes a good story? Let the discussion go for a few minutes and eventually settle on the idea of creating a character.
Introduce Into the Land of the Unicorns and read the excerpt from the book.
Here is a brief summary of the plot up until this point: Cara’s grandmother gave her a special necklace while they were running from an evil hunter. She told her to whisper the words “Luster bring me home,” so that she could escape the evil man. Cara had to jump from a high clock tower and whisper these words while holding the special necklace. When Cara woke up she was in a different world where strange things started happening to her. The part I’m going to read starts just after Cara has escaped a delver, which is an evil creature that keeps trying to steal Cara’s necklace.
Have students think of various kinds of magical creatures and generate a list on the board. Have students think about the types of powers their creature might have and where it might live.
Review briefly nouns and adjectives. Explain why they are important in creating a character. In this case, you are trying to create something specific and unique. The more descriptive words that you use, such as color, the more unique your character becomes.
Have students create a collaborative magical creature
Below are prompts for the collaborative paragraph. Leave these prompts on the board after the collaborative activity. Students can use these prompts in the creation of their own magical creature.
1) Does the creature look like other animals?
2) Does any part of it look human?
3) What color is it?
4) How tall is it?
5) What language does it speak?
6) How does it speak? Through the mouth or some other way?
7) What kinds of special powers does it have?
8) What does it eat? What is their favorite food?
9) What is the creature afraid of?
10) Where does the creature live?
11) Does it live alone or with other people?
12) What does it like to do for fun?
13) What is your creatures’ name?
Show students how to format answers to these questions into a paragraph. Make sure they don’t just answer the question, but begin to construct a character.
Example: My creature is part fairy and part horse. Her name is Celia the FairyHorse. She uses her wings to fly, and then she runs through the air. She lives in a mountain of clouds with her mother and father. She speaks French in the sky, but English on the ground. She talks with her eyes, and humans can’t hear her.
II. Writing Activity (30 minutes)
Before they begin writing have them think up names for their creature. They can use their own name, for instance, Erin’s Unicorn, or come up with something completely original that refers back to their magical power, like Lighthealer. Have them put this at the top of their paper.
Have the students write a paragraph, 5-8 sentences, describing their creature and its magical power. If they get stuck have them include descriptions of where the creature lives, what it eats, what special things it can do, if it can talk etc. Have them include 5-10 adjectives in describing their creature.
Prompts for writing are:
My [title of creature] can…
My [dragon] likes…
My [elf] eats…
My [creature] does
My [unicorn] is afraid of
My [flying snake] hates
[title of creature] flies to
[title of creature] runs from
You can also have them include:
Height
Hair color
Eye color
Skin Color
Size, big, small etc.
Secret powers
If there is time, have students take the second sheet of paper and draw their animal. Try and get them to think about color, texture, and what the powers of the creature looks like.
III. Closing (15 min)
Either collect the student’s work and read it aloud, or have each student show their creature and read their paragraph aloud.
James
My creature is a dragon. This dragon is no ordinary dragon. This dragon has a hundred heads. Nobody has defeated this dragon. His body parts are metal. He breathes fire and he has spikes on his back. He has a fire head, but nobody knows how that happened. His favorite foods are trees, cows, and metal. His hobby is flying over the sun because he is a fire dragon. Fire helps him stay alive.
-Nathaniel Perry, 4th Grade
Red Rock
His name is Red Rock. He is a dragon. His eyes are gold. His skin is purple. He speaks English, Spanish, and French. He speaks underwater. His special power is transforming into whatever he sees. He has a ruby or a crystal that is what causes him to transform. He likes to eat everything. Like when a bear gets near him he transforms into a bear and if he wins he eats the bear, that’s what happens. He lives in an apartment with his friends Martin The Bear, Jack The Raccoon, and Froggy The Frog. They met him when they were in school.
-Blass Velarde, 4th Grade
Gonitha
She has blue hair and loves black, and green eyes. She loves wearing dresses because she is a fairy. Her name is Gonitha Flimintine. She eats pink berries. She can freeze everything and she can change stuff into different colors. She has a green house with blue stripes with a diamond crystal made out of ice in the front of her ice house.
-Angelica Santa Cruz, 4th Grade
Although the Theory of Uno Mas is most widely accepted among individuals, scholars tend to believe that the Hocus Pocus theory is more suited in reality.
Magical composition often involves the use of symbolic language, gestures, and ritual elements to convey meaning and channel the desired energy or intention. This can include the use of specific words, chants, or incantations, as well as the arrangement of physical objects or ingredients. The choice of words and gestures, their order, and their overall arrangement are all crucial factors in the successful execution of a magical spell. Prior magical composition also requires a deep understanding of the properties and correspondences of different magical elements. Practitioners must consider factors such as the moon phase, planetary alignments, elemental associations, and the specific attributes and symbolism of various herbs, crystals, and other magical tools or ingredients. The careful selection and arrangement of these elements contribute to the overall effectiveness and resonance of the spell. In conclusion, prior magical composition is a vital aspect of spellcasting that involves the intentional creation and arrangement of magical spells or enchantments. It requires a deep understanding of magical principles, rituals, correspondences, and the specific intentions or purposes of the spell. Through careful construction and arrangement, practitioners can harness the power of magic to bring about desired outcomes..
Reviews for "Exploring Different Types of Magical Composition Methods"
- Alex - 2 stars - I found "Prior magical composition" to be extremely confusing and hard to follow. The plot seemed all over the place and I had a hard time connecting with the characters. The writing style was also a bit too flowery for my taste. Overall, I didn't enjoy this book and wouldn't recommend it.
- Emma - 1 star - I have to say I was really disappointed with "Prior magical composition". The story felt stale and unoriginal, and the characters were completely one-dimensional. It felt like the author was trying too hard to be profound and it just came off as pretentious. I couldn't wait for it to be over.
- John - 2 stars - I couldn't get into "Prior magical composition" at all. The pacing was too slow and the world-building was confusing. The magic system didn't make much sense and the explanations felt forced. I struggled to care about the events and the characters, and ultimately felt bored throughout the entire book.
- Sarah - 2.5 stars - While I appreciate the author's attempt at creating a unique magical world in "Prior magical composition", I felt that the execution fell flat. The story lacked depth and the characters lacked development. The dialogue felt forced and unnatural. Overall, it just wasn't a book that captured my interest.