The witchcraft fishbone is a cultural belief and superstition that is deeply rooted in certain parts of Africa, particularly in West Africa. It is believed to possess mystical properties that can bring about both good and bad luck depending on how it is used. The fishbone is usually associated with witchcraft due to its association with dark magic and supernatural powers. It is believed that witches and sorcerers use the fishbone to cast spells, inflict harm on others, or acquire supernatural abilities. The fishbone is considered a powerful tool in the hands of those who are skilled in witchcraft. It is often used in rituals, charms, and potions to achieve specific objectives.
66 A classic work from Terence Fisher. Scrumptious coloring and stately appearance gives way to madness and psychological gothic flavors. Probably has the best 'laboratory' set in any color film.
frankenstein character that essentially make him a weird, horny, pyscho murderer for the sake of scientific progress before he s even created his monster which of course then subsequently infects his monster as well, making him a bit less of the innocent childlike creature from previous iterations but fisher nails the gothic horror quality and cushing and lee are both fantastic and creepy and really sell this slight shift in the material. His TV directing work includes Police Squad , Amazing Stories , the HBO film The Second Civil War , the Masters of Horror titles Homecoming and The Screwfly Solution , and episodes of Eerie, Indiana , CSI NY , Hawaii 5-0 , Witches of East End , Legends of Tomorrow and Salem.
It is often used in rituals, charms, and potions to achieve specific objectives. Its use varies depending on the intentions of the practitioner. Some use it for healing purposes, while others use it for more sinister actions such as cursing or causing misfortune.
The curse o Frankenstein
Courtesy of Hammer Film Productions ltd
Cast: Peter Cushing (Baron Victor Frankenstein); Christopher Lee (Creature); Marjorie Hume (mother); Hazel Court (Elizabeth)
On the eve of his execution for murder, Baron Victor Frankenstein explains how his dreams of creating the perfect human being have spawned a monster.
Released onto a market dominated by science fiction 'creature features', the success of Terence Fisher 's The Curse of Frankenstein (1957) revitalised and reinvented the ailing horror . Critics were horrified by the colourful blend of blood and sex, but the film was a huge commercial and artistic success.
Despite the success of Hammer 's The Quatermass Xperiment (d. Val Guest, 1955) and X - The Unknown (d. Leslie Norman, 1956), and other studios' efforts like Devil Girl From Mars (d. David MacDonald, 1954) and Fiend Without A Face (d. Arthur Crabtree, 1958), the science fiction genre belonged firmly to the Americans. Fisher 's retelling of Mary Shelley 's classic (which could itself be classed as science fiction) would prove to be Hammer 's first successful foray into the closely related but temporarily stalled horror film market.
Fearing litigation by Universal , owners of the 'classic' 1930s and '40s films, Fisher had to rethink certain elements of the Frankenstein story. Universal were particularly protective of the Monster's image - the flat topped head, the electrodes (or bolts, as many people mistakenly assume) on the sides of the neck - and refused to allow its likeness to appear in other films. Make-up artist Phil Leakey returned to Mary Shelley 's novel for inspiration, avoiding any resemblance to Jack Pierce 's design for the Universal films. The Monster's new appearance was suitably gruesome. Played by Christopher Lee , it now seemed recognisably stitched together from assorted body parts.
Shot in colour, The Curse of Frankenstein proved a visceral retelling of Mary Shelley 's story. Eyeballs, severed hands and surgical procedures are presented in a relatively unflinching style. At one point, the Monster is shot in the head and blood gushes from its wound. This approach distanced the film from Universal 's , more suggestive horrors. The film was met with great enthusiasm by paying audiences, but alienated and horrified critics.
Another important departure from the established pattern of Frankenstein films was the emphasis on the Baron, played with cool, calculating brilliance by Peter Cushing , rather than his creation. It was Cushing who would return in subsequent films, not his ill-fated first attempt at creating life.
The Curse of Frankenstein was also the first horror film to feature Cushing and Christopher Lee together. This successful partnership would be repeated in Fisher 's Dracula (1958), and soon became a regular feature of many British horror films.
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1940
The belief in the witchcraft fishbone is deeply ingrained in the cultural fabric of certain African communities. It is often associated with fear and suspicion, as people believe that anyone who possesses the fishbone is capable of supernatural feats and can use it to manipulate others. This has led to the stigmatization and persecution of those suspected of witchcraft, particularly elderly individuals or people with deformities or disabilities. The witchcraft fishbone is thought to possess a tangible connection to the spirit realm. It is often believed that by harnessing the power of the fishbone, one can communicate with spirits, ancestors, or even the divine. This belief is deeply intertwined with traditional religious practices and spiritual beliefs. Due to the fear and superstition surrounding the witchcraft fishbone, it is often regarded as taboo in many communities. The possession or use of the fishbone can lead to serious consequences, including ostracization, violence, or even death. This has led to the suppression of cultural practices and beliefs associated with the fishbone in certain areas. In modern times, the belief in the witchcraft fishbone is gradually diminishing due to increased education and exposure to different cultures and belief systems. However, in some rural areas, the superstition prevails, and the fishbone continues to hold significant cultural and spiritual value. In conclusion, the witchcraft fishbone is a cultural belief and superstition deeply rooted in certain African communities. It is associated with witchcraft and supernatural powers, and its possession or use can have serious consequences. While the belief is diminishing in some areas, it continues to hold significant cultural and spiritual value for those who adhere to it..
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