when does yule begin

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Goya began his “Black Paintings” in 1819, at a time when Spain was roiled by social and political turmoil. The country had undergone a period of foreign occupation by Napoleon, starting a brutal guerrilla war against the French invaders which also spiraled into a kind of social civil war amongst Spanish society itself. All of Europe had been convulsed by the Napoleonic Wars, the shadow of the French Revolution, in essence the birth of the modern world. Like his contemporary William Blake, the times inspired in Goya apocalyptic visions of a society going mad, drenched in conflict and uncertainty. Old social orders were collapsing, war was everywhere. In the midst of all this, Goya himself was suffering from constant illness, to the point where he became almost completely deaf. This was a period when even the Holy Inquisition still held a grip on Spanish society, so even religious conflict remained part of Goya’s world.

It revives the tradition of gothic, immersive cinema in the style of Carl Theodor Dreyer s Vampyr or Benjamin Christensen s classic, Satanic silent film Haxan. The Witch, like the Black Paintings, captivates its viewers because the mood and feelings it creates are all too familiar without the need to actually believe in magic.

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Domicile as Expression of Individual Will and Agency in Anna Biller's "The Love Witch"

Domicile, as construct, and as set in a specific framework, when we pause to consider the implications of framing a home with images as presented in Anna Biller’s recent film The Love Witch, can provide a rich tapestry of symbols to analyze in consideration of the traditional public/private sphere divide presented in studies of femininity. Private scenes set in an apartment where Elaine, a young witch who desperately seeks love, creates magical artifacts for sale and casts spells, are said by her landlord to be framed in images drawn from the Thoth Tarot deck from the Crowleyan tradition an establishing scene. The images found in paintings on the walls are not actually identifiable as such, however. Original paintings soon become replaced by Elaine’s handiwork, like paintings in which she rips out the heart of men with a ceremonial athame (dagger) imagining herself as icon holding the reigns of a horse, while dreaming of many men. In considering the Crowleyan tradition’s core tenet: “Do what thou wilt shall be the whole of the Law. Love is the law, love under will,” and Elaine’s use of these spells to initiate relationships that transpire in the death of several men--we might interpret Biller’s portrayal of domicile as arena in which feminine agency is at its strongest--a place where woman can most exercise her own will, no matter how sordid it is. In contrast, scenes set in public--a smoky nightclub, in the confines of a police headquarters, and an open, airy Renaissance faire--create spaces in which Elaine futily attempts to express her sense of feminine agency. Here, Elaine’s ego is thwarted by the will of others and is eventually reigned in by an investigator and unruly crowd who will not suffer a witch to live. If we examine how repression expresses itself through the forensic trail of Freud, Foucault, and Hegel as Judith Butler presents it in The Psychic Life of Power, Elaine’s desire for bodily autonomy and matriarchal control over the process of life might present themselves in a more “rebellious” light. Butler states: “The psychoanalytic discourse that would describe and pathologize repressed desire ends up producing a discursive incitement to desire: impulse is continually fabricated as a site of confession and, hence, potential control, but this fabrication exceeds the regulatory aims by which it is generated,” (59). Butler also presents argumentation for a sense of love beyond the framework of power, a force that is “beyond interpellation,” in later chapters. In consideration of this theory, Elaine’s actions and Anna Biller’s ultimate statement might be interpreted through a lens that reads them in semiotic language that begs the world for a sense of feminine agency it just won’t seem to grant.

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when does yule begin