The call of the witch is a concept that dates back centuries and is deeply rooted in folklore and mythology. Throughout history, witches have been portrayed as both powerful and mysterious beings, capable of harnessing magical abilities and influencing the natural world. The call of the witch is said to be an irresistible force that beckons individuals towards the path of witchcraft. It is believed that certain individuals are born with an innate connection to the supernatural, making them more susceptible to this call. These individuals may experience a profound longing or yearning to explore the world of witchcraft, often feeling as though something is missing from their lives. The call of the witch can manifest in various ways, such as vivid dreams, strange occurrences, or encounters with magical beings.
The editors are in talks with an interested publisher and will assemble the pitch when all chapter proposals are received. If needed, the editors will pitch multiple publishers and will keep authors informed of the progress throughout.
Certain people, such as Echidna and Pandora, have referred to Emilia as the witch s daughter , with Pandora also mentioning that she was of the witch s bloodline after seeing her power, hinting at some sort of connection between the two, though nothing has been explained. Not much concrete has been revealed yet, but Satella was once able to possess Emilia and she has been referred to as a potential vessel for Satella on multiple occassions.
The call of the witch can manifest in various ways, such as vivid dreams, strange occurrences, or encounters with magical beings. It is often described as a voice or a feeling that cannot be ignored, urging the individual to embrace their true nature and fulfill their destiny as a witch. Once the call of the witch has been answered, individuals may undergo a period of initiation or training to develop their magical abilities and learn the secrets of the craft.
Call for Book Chapters: Recasting the Bygone Witch
Chapter proposals are invited from interdisciplinary scholars for a collection tentatively titled Recasting the Bygone Witch.
From Sabrina to Supreme, there are plentiful modern representations of the witch in popular culture, each exuding singular or group-sourced power borne from traditions of centuries-past, as manifested in literature, television, film, or local lore.
But what about the lesser-known witches, those who practice and represent branches of witchcraft rarely examined within the subcultural analysis or fandom? This collection examines portrayals of lesser-known witches and how their quiet unconventionality, even within the broader occult subculture, might inform scholarship, practice, and preservation. What can we learn by examining lesser-known witches or unconventional representations of the witch?
Approaches or lenses for papers may include (but are not limited to):
- Literature, texts, or theory
- Cultural studies
- Gender studies or feminist perspectives
- Technology or media studies
- Race and ethnicity studies
- Environmental studies
- Pop culture studies
- Local or regional examinations
- Museum studies and public history
- Historic preservation or conservation
- Sociopolitical discussions
Mode of Submission - Chapter Proposals:
Contributors are asked to send a one-page chapter proposal and a brief biography (approximately 200 words) as one combined document (Word or PDF) to [email protected] and [email protected] with the subject line “Submission - Witch Collection.”
Chapter proposals should represent original and unpublished research (or work for which the submitting author holds the full copyright for reproduction).
Selection Procedure:
Final selection of work for the collection will be made by the editors and authors will be notified via email within 4-6 weeks of submission. Once preliminary selections have been made, the proposed chapters will be pitched formally to a press as a collection.
Publisher:
The editors are in talks with an interested publisher and will assemble the pitch when all chapter proposals are received. If needed, the editors will pitch multiple publishers and will keep authors informed of the progress throughout.
Final Chapters:
Upon successful contract with a publisher, final chapters will be due to the editors within ~5 months. Final chapters should be 6,000 - 8,000 words not including references. Images encouraged if within the public domain or owned / within rights agreement with the author. Chapters will then undergo peer review and revisions.
Contact InformationAíne Norris and Mariaelena DiBenigno
But what about the lesser-known witches, those who practice and represent branches of witchcraft rarely examined within the subcultural analysis or fandom? This collection examines portrayals of lesser-known witches and how their quiet unconventionality, even within the broader occult subculture, might inform scholarship, practice, and preservation. What can we learn by examining lesser-known witches or unconventional representations of the witch?
This may involve studying ancient texts, practicing rituals, and honing their skills in spellcasting and divination. However, it is important to note that the call of the witch is not limited to a specific gender or age. Witches can be men or women, young or old, and come from all walks of life. They are united by their shared connection to the supernatural and their desire to tap into its power. In modern times, the call of the witch has become a symbol of empowerment and liberation for many individuals. It represents the freedom to embrace one's own unique identity, explore spirituality beyond traditional religious norms, and connect with the natural world on a deeper level. Overall, the call of the witch is a powerful and transformative force that continues to captivate our imaginations. Whether one believes in the existence of witches or not, the concept serves as a reminder of the human desire to explore and understand the mysteries of the universe..
Reviews for "Witches of the World: Exploring Cultural Variations in Call of the Witchh"
1. Amy - 2 stars
I found "Call of the Witch" to be quite disappointing. The story felt predictable and cliché, with the usual tropes of witches and magic. The characters lacked depth and development, and I couldn't connect with any of them. The pacing was also uneven, with slow moments that dragged on and failed to hold my interest. Overall, I was hoping for a more original and engaging story, but unfortunately, this book fell short for me.
2. John - 3 stars
While "Call of the Witch" had an intriguing concept, I felt that the execution was lacking. The writing style was rather amateurish, with awkward dialogue and repetitive descriptions. The plot had potential, but it was overshadowed by unnecessary subplots and distractions. I also found some of the character motivations to be implausible and inconsistent. Overall, I found the book to be an average read, nothing exceptional or memorable.
3. Sarah - 2 stars
I struggled to get through "Call of the Witch." The prose was stilted and lacked finesse, making it difficult to immerse myself in the story. The world-building was weak, leaving me with unanswered questions and a lack of clarity about the magical system. The romance subplot felt forced and unnatural, with no chemistry between the characters. I was disappointed by the lack of depth and complexity, which made the story feel superficial and forgettable. Overall, I wouldn't recommend this book to anyone looking for a captivating and well-crafted fantasy read.
4. Michael - 2 stars
"Call of the Witch" had an interesting premise, but the execution fell flat for me. The writing style was lackluster, with flat descriptions and a lack of emotional depth. The pacing was off, with long stretches of inaction that failed to hold my attention. The characters felt one-dimensional and lacked the development needed to make them relatable. Additionally, the plot twists were predictable, leaving me underwhelmed. Overall, this book didn't deliver on its potential, and I wouldn't recommend it to others.