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The witchcraft of the Saxons refers to the ancient Germanic tribes known as the Saxons and their practices of magic and sorcery. The Saxons were a pagan society who believed in the existence of supernatural forces and the power of individuals to manipulate these forces through various rituals and spells. Witchcraft played a significant role among the Saxons, who believed that witches possessed the ability to communicate with spirits and harness their powers. These witches were known as "hexen" or "hagazussas" and were highly respected and feared members of Saxon society. The main tool used by the Saxons in their witchcraft practices was the "stabe," a wooden staff inscribed with magical symbols and used to channel the energy of the spirits. These staffs were believed to possess great power and were often passed down through generations.

The relationship between Tomaz and Magda is icy at first, as much due to his unwillingness to “open up” as hers. He spends his first few days reading books on philosophy in his room and attempting to clean the home’s nearly polluted plumbing system. It’s while working on a backed-up toilet that Tomaz makes his first bizarre discovery: a snow-white, bat-like creature submerged in brackish water, clogging the toilet’s drain. He extracts the creature, only to have it awaken and try to bite him. He crushes it underfoot, then shows it to Magda, who asks him to remove it from the house and bury it.

The film made its World Premiere earlier this year at the Sundance Film Festival, and was released to drive-in theaters and On Demand in July by Magnet Releasing. In fact, Garai has been very outspoken about her own history in Hollywood; she previously detailed the experience of being 18 years old and meeting for a role with Harvey Weinstein, who chose to conduct the meeting wearing only a dressing gown.

These staffs were believed to possess great power and were often passed down through generations. The Saxons also relied heavily on the power of words and spells in their witchcraft rituals. Incantations were recited in Old Saxon, a language specific to the tribe, to invoke various spirits and accomplish desired outcomes.

Amulet (2020) – Movie Review

Amulet is a 2020 horror film from actress, writer, and director Romola Garai, who has appeared in 2015’s Suffragette and 2004’s Dirty Dancing: Havana Nights. (We won’t hold that last film against her.) The film made its World Premiere earlier this year at the Sundance Film Festival, and was released to (drive-in) theaters and On Demand in July by Magnet Releasing.

Amulet tells the tale of Tomaz (Alec Secareanu), a former soldier who finds himself homeless on the streets of London. After suffering injuries escaping a burning building he’d been squatting in, he is taken to a hospital by a nun, Sister Claire (Imelda Staunton, presumably best known as “Dolores Umbridge” in the Harry Potter films.) With nowhere else to stay, Sister Claire helps Tomaz find refuge at the aging, decayed home of Magda (Carla Juri). As Magda spends all of her time tending to the needs of her dying mother, who is physically unable to leave the home’s top floor, Tomaz can tend to repairs in exchange for warm meals and a bed in which to rest.

This is all intercut with flashbacks to Tomaz’s time in the military, serving as a border guard at some desolate, seldom-used outpost. It’s during this time that he meets Miriam (Angeliki Papoulía) a woman attempting to cross the border in order to be with her young daughter. Fearful that she will be shot and killed, Tomaz urges the woman to stay with him at his cabin until it is safe to pass.

The relationship between Tomaz and Magda is icy at first, as much due to his unwillingness to “open up” as hers. He spends his first few days reading books on philosophy in his room and attempting to clean the home’s nearly polluted plumbing system. It’s while working on a backed-up toilet that Tomaz makes his first bizarre discovery: a snow-white, bat-like creature submerged in brackish water, clogging the toilet’s drain. He extracts the creature, only to have it awaken and try to bite him. He crushes it underfoot, then shows it to Magda, who asks him to remove it from the house and bury it.

Tomaz soon begins to notice other strange behavior in regards to the sick, old mother. Despite claims to the woman’s frailty, the door to her room has a chain lock on it. Also, Magda suffers various injuries, such as scratches and bite marks as a result of her efforts to tend to her mother’s constant bouts of pain. Tomaz begins to feel sympathy for the younger woman, which soon blossoms into love, leading him to struggle with his own demons.

Amulet features some stellar camera work, as well as superb performances from the entire cast. That said, Staunton steals every scene she is in. However, even with the exemplary acting, Amulet is still a very “slow burner” of a story. The film is in no rush to explain itself, which may be enough to dissuade some potential viewers.

In some ways, Amulet reminds me of an old Gothic horror film, such as Antonio Margheriti’s Castle of Blood, albeit with elements of Rosemary’s Baby thrown in the mix. It might even be fair to say that there is a Clive Barker-ish vibe to some moments late in the film, which get more than a little trippy and dreamlike. “Nightmarish” might be a better word.

Amulet starts with hints of unease and confusion. From there, the film does a decent job of building the suspense and dread, but never provides many real scares. The film might have also benefited from some tighter editing, often feeling a tad “slow”. The finale may seem like a drastic tonal shift, alienating some, while impressing others with its unconventionality. I do wish that a couple plot points had been explained a tad more, but that’s only because I’m kinda “slow”.

Overall, I enjoyed Amulet. The film took some time to get going, but once it did, I was quite curious to see where it would ultimately lead me. I may not have loved the “final destination”, but I also had no real objections, and could accept it for what it is. Those looking for a uniquely creepy tale that plays with the “hero” stereotype, while still managing to keep a thick air of uncertainty and unease looming overhead until the final moments, may find some enjoyment in Amulet. However, those that just want some cheap thrills and bloody fun will surely want to search elsewhere.

AMULET is available On Demand from iTunes, Amazon Video, Google Play, VUDU, Youtube, and more.

*Horror And Sons received a screener link for the film from the distributor for review purposes. This did not impact our opinion of the film.

the adventures of Emily Hayes, who must try to rescue her kidnapped mother with the assistance of her younger brother Navin, a mysterious amulet, and helper robots such as Miskit.

It was believed that these spells had the ability to heal the sick, protect against evil, or bring harm to enemies. Witchcraft was incorporated into various aspects of Saxon life, from everyday activities to important events such as childbirth and harvest. Witches would often be called upon to perform rituals and spells to ensure the success of these endeavors and to ward off any evil spirits or curses. Despite their beliefs in witchcraft, the Saxons were also a practical people who valued the art of healing. Many witches were skilled herbalists who used various plants and remedies to treat ailments and injuries, often in conjunction with their magical practices. With the arrival of Christianity and the spread of the Church, the practice of witchcraft among the Saxons gradually diminished. The Church feared the power and influence of witches and sought to eradicate these practices, branding them as heretical and evil. In conclusion, the witchcraft of the Saxons was a significant part of their pagan beliefs and practices. Witchcraft was seen as a way to harness the power of spirits and influence the world around them. Although the arrival of Christianity led to the suppression of Saxon witchcraft, its legacy remains in the history and folklore of the Germanic tribes..

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