The Malevolent Witch: Nine Inch Nails' Dark Side Revealed

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A malevolent witch is a common archetype in folklore and fairy tales. Known for her dark magic and wicked intentions, she often seeks to harm others and gain power for herself. One example of this malevolent witch can be found in the song "Nine Inch Nails" by the band of the same name. In this song, the malevolent witch is portrayed as a figure of temptation, seducing the protagonist with promises of pleasure and freedom. **The main idea of the song is the destructive power of the malevolent witch and the allure of her dark magic**. The lyrics describe the witch as having "lips as sweet as poison" and being able to manipulate the protagonist's desires.


Reznor revealed more interesting tidbits about NIN’s upcoming material, including the trilogy’s evolution and Bad Witch’s place within it:

The first EP, Not the Actual Events , was meant to be a personal angry self-destructive of reflection on that question and defining how I feel in a world, it feels stranger, part of that s aging. Even Trent has to chuckle these days at the melodrama of some of the lyrics Grey would be the color IF I HAD A HEART but the song s power, built with just his vocals, some interwoven piano and a hissing drum on the chorus, remains absolutely remarkable three decades later.

Malevolent witch nine inch nails

The lyrics describe the witch as having "lips as sweet as poison" and being able to manipulate the protagonist's desires. She uses her enchantments to draw him in and trap him in a web of despair and torment. The protagonist becomes addicted to her spell, unable to break free from her hold.

Trent Reznor Channels David Bowie On New Nine Inch Nails Track, “God Break Down the Door”

Last week, Trent Reznor and Atticus RossNine Inch Nails announced their promised return with their third and final EP, Bad Witch, which releases on June 22. The band has released the first of six tracks, “God Break Down the Door”, which takes a bit of getting used to. Reznor had explained in a previous interview that the third EP’s delay was to avoid retread and allow the duo to reinvent themselves. This has proven to be true with “God Break Down the Door”, which mixes somber vocals with one of the heaviest NIN tracks in recent memory. Reznor channels the late David Bowie on the track, which also harkens back to one of his greatest musical accomplishments, “The Perfect Drug”. Check it out:

Bad Witch is now available for pre-order in all formats and limited exclusive merch bundles from https://nin.lnk.to/Music. The track listing is as follows:

1. Shit Mirror
2. Ahead of Ourselves
3. Play the Goddamned Part
4. God Break Down the Door
5. I’m Not From This World
6. Over and out

The album completes the trilogy that began with 2016’s Not The Actual Events and 2017’s ADD VIOLENCE.

CoS transcribes a brand new interview with Beats 1’s Zane Lowe, in which Reznor discussed the song, and how it features a particularly unique vocal performance:

“We find if we don’t watch ourselves we tend to try to get some more comfortable with because it feels better. And from the sound of the drums to the kind of frantic drumbeat to looking around the studio and seeing the untouched baritone tenor and alto sax that are sitting there. They’re there because they remind me that I can’t play them as well as I used to be able to. For 20 years, I’ve been saying I’m going of really get my technique back because it would be fun to do. And there they sit taunting me in the corner. We pulled them out and we just started fucking around really, led with Atticus arranging. I was just kind of going, an hour performance kind of turned into this thing that felt like we hadn’t been there before and that started to reveal a whole different character. The space changed and then we felt motivated. When it came time to sing I was really just trying things out, just to see. I never had the courage to sing like that, I didn’t know I could sing.”

Reznor revealed more interesting tidbits about NIN’s upcoming material, including the trilogy’s evolution and Bad Witch’s place within it:

“Let me drop some cryptic information on you. The idea of this three EP thing was all too find truth in us figuring out who we are now and how we fit into the world. The first EP, Not the Actual Events, was meant to be a personal angry self-destructive of reflection on that question and defining how I feel in a world, it feels stranger, part of that’s aging. Part of that’s because the world is getting weirder. Finding your place in a world that looks different every day little bit changes and reacting to that in the first EP through anger and self-destruction and sitting alone setting a match to your life.

“The second EP, Add Violence, was meant to the same question. But looking for answers externally. Maybe it’s because of this and there’s comfort in that. Maybe there’s a reason things feel kind of crazy and it’s not that I’m insane that I’m in a situation that’s insane.

“There was the third EP which has grown into an LP (Bad Witch). It was coming to one final look at that question from rejecting what the number two says that it wasn’t an easy answer. It’s not it’s not we I can’t point at that as a formula and that’s what it was. And that the entire system has a much more bleak and pessimistic outlook and I want to say too much because it gives away kind of the what the thing is. But it wasn’t necessarily what we thought it was going to be when we started. I thought it was going to go more science fiction. I don’t really want to overwhelm you with cleverness and deep diving and part of that felt like an arms race and it also felt like a cop out.”

1. Shit Mirror
2. Ahead of Ourselves
3. Play the Goddamned Part
4. God Break Down the Door
5. I’m Not From This World
6. Over and out
Malevolent witch nine inch nails

The metaphor of "nine inch nails" refers to the pain and suffering the witch inflicts upon her victims. The nine inch nails penetrate deep into the flesh, leaving a lingering mark of her malevolence. This imagery emphasizes the powerlessness of those under her control. Throughout the song, the malevolent witch is portrayed as an alluring and destructive force. **The main idea of the song is the danger of succumbing to temptation and the consequences of falling under the spell of a malevolent witch**. The protagonist is left in a state of despair and anguish, unable to break free from her clutches. In conclusion, the malevolent witch in the song "Nine Inch Nails" represents the dark side of human desire and the consequences of giving in to temptation. The song serves as a warning about the destructive power of those who seek to harm others and the allure of their dark magic..

Reviews for "The Malevolent Witch and the Dark Side of Nine Inch Nails' Discography"

1. John - 2/5 - I was really disappointed with "Malevolent witch nine inch nails". The movie had a promising premise, but it failed to deliver on so many levels. The plot was confusing and lacked coherence, making it hard to follow. The characters were poorly developed, and I couldn't connect with any of them. The special effects were also subpar, which greatly affected the overall viewing experience. I had high hopes for this film, but unfortunately, it fell short of my expectations.
2. Emily - 1/5 - "Malevolent witch nine inch nails" was an absolute disaster. The acting was atrocious; it was cringeworthy to watch. The dialogue felt forced and unnatural, making it difficult to take the movie seriously. The storyline was all over the place, and I struggled to understand what was happening. The ending was even more confusing and left me feeling unsatisfied. I wouldn't recommend this movie to anyone; it was a waste of my time and money.
3. Sarah - 2/5 - I heard so many great things about "Malevolent witch nine inch nails," but unfortunately, it didn't live up to the hype. The pacing was incredibly slow, and I found myself getting bored halfway through. The movie lacked suspense and failed to build any tension. The twists and turns that were meant to be exciting were predictable and felt cliché. Overall, it was a forgettable film that failed to make an impact.

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