Mario Pagan St. John is a renowned fashion designer who is known for his unique and innovative designs. He has gained recognition in the fashion industry for his bold and creative approach to clothing. Pagan St. John's work is characterized by his use of vibrant colors, intricate detailing, and unconventional cuts. He often takes inspiration from different cultures and time periods, resulting in pieces that are both visually stunning and thought-provoking.
Robert Irvine Shirtless.
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He often takes inspiration from different cultures and time periods, resulting in pieces that are both visually stunning and thought-provoking. Pagan St. John began his career in fashion at a young age, studying at prestigious design schools and working for renowned fashion houses.
A Little Paganism for the Feast of St. John the Baptist….
I have long been fascinated by folk customs arising out Christian Europe — in part, because their origins often were not Christian, but pagan. The genius of evangelization (I think) was how the Faith could take pagan practices and incorporate them into a Christian ethos. Of course, all elements of pagan superstition were not expunged, for the process of Christianization of whole culture was never complete — how could it be?
An example of such a pagan remnant was the customs surrounding the Feast of the Nativity of St. John the Baptist (June 24). The Church, it seems, placed the feast near the spring equinox, when the days reach the apogee of their lengthening. A most fitting moment for the one who said, of Christ, “He must increase, but I must decrease.”
In my novel, A Song for Else, I describe the protagonist’s memories of the bonfires ignited on the feast. Here is the excerpt from the book:
Lorenz took the bottle and moved just outside the firelight. He sat down on the cool ground. He drank. He could hear the students wrangling, but he paid them no heed. The wine that now warmed his body was withdrawing it from everything around him. He was there but not there, hovering as it were in a sphere of air that his spirit filled with its own life, forcing out all that was not its own.
He cared nothing for what happened to Holzhaupt. Instead of the tawdry drama working itself out only a few feet from him, Lorenz found himself considering the fire. Its strength was declining; it was beginning to settle itself down in its coals. The orb of light about it was contracting. The fire was losing its battle against the night.
It had only been a fortnight since Lorenz saw fires – far larger than this – burning on the hills that rose above Erfurt. It had been Sankt Johannes’ Eve. The Thuringian peasants danced about the fires, he knew, just as his own people did.
The fire kindled memory. He recalled a Sankt Johannes’ Eve now, it seemed, so many years ago. Inge had placed a purple-flowered garland of verbena and mugwort about his neck; he recalled his delight in the sweet scented blossoms. She handed him a sprig of larkspur. “When you stand before the fire, look at it with this flower before your eyes. It will keep them from failing.” The verbena, he knew, would protect him from witches.
This had been the first year he had been allowed to go with Inge to the bonfire. His father never went. As ever, the villagers had crafted the Angel Man out of straw. They wove flowers of all hues into the straw, until the Angel Man stood, looming over the tallest man in the village, florid with the colors of a spring meadow. Lorenz remembered thinking it very lovely. A long procession of men and women followed the men who bore the Angel Man to the hilltop behind the village.
A wooden post, rising up through a mound of wood faggots and straw, awaited the Angel Man. Lorenz could not see over the heads of the grownups around him, so a neighbor lifted him to his shoulders. Three men took the Angel Man and tied him with bast rope to the pole. Three other men touched torches to the heaps of straw at the base of the mound of faggots. It caught fire and ignited the dry wood. The fire climbed the mound, hastening toward the Angel Man. He was surrounded by flames on all sides. With a sudden pang, Lorenz understood what would befall. He stifled a sob. The Angel Man was beautiful – why did they want to destroy him? The flames crept ever closer; the ring of fire converged on its center. Lorenz saw a spark leap from the fire and land on the exposed straw; flames licked the feet, and, in an instant, they were raging up the legs. The many-colored flowers withered and disappeared in the surge. For a moment, Lorenz saw a human figure outlined in the fire. Then it was gone.
Memories of other Sankt Johannes’ eves mingled and grew confused in Lorenz’s mind. Young men leaping over the flames; women singing. The wagon wheel on a long axle held by a youth at each end. The wheel, straw-covered, set afire, the two youth, pushing it down hill, over ditches, around trees, hoping to extinguish the flames in the river water. If they succeeded, a good harvest; but, if they failed…
Around the bonfire, dancing and singing. Drinking and feasting. Some couples disappeared into the darkness outside the fire’s illumined orb. Other couples, when the fire had died down to glowing embers, leaped over it and then kissed. Lorenz thought that it would not be long before he too would be old enough to leap over the bonfire; but he would not wait until it collapsed into coals; he would jump over the flames burning high and so secure for his father an abundant harvest of flax –
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Through his experiences, he developed a strong understanding of the industry and honed his technical skills. However, he soon realized that he wanted to create designs that challenged the traditional notions of fashion. One of the main ideas that sets Pagan St. John apart as a designer is his commitment to inclusivity and diversity. He believes that fashion should not be limited by gender or body type and strives to create clothing that is accessible to all. This can be seen in his diverse range of models, who come from various backgrounds and showcase different body types. Another key aspect of Pagan St. John's work is his focus on sustainability. He understands the harmful impact that the fashion industry can have on the environment and actively seeks out eco-friendly materials and production methods. By incorporating sustainable practices into his design process, he hopes to inspire others in the industry to do the same. Overall, Mario Pagan St. John is a fashion designer who challenges the norms of the industry through his innovative designs and commitment to inclusivity and sustainability. His work showcases his unique creativity and ability to push boundaries, making him a notable figure in the fashion world..
Reviews for "The Evolution of Mario Pagan St John's Style"
1. Sally - 2 stars - I was really disappointed with "Mario Pagan St John". The book had a promising premise, but the execution fell flat for me. The characters lacked depth and their motivations were unclear. The plot dragged on and I found myself struggling to get through it. Overall, I was left feeling unsatisfied and wouldn't recommend this book.
2. Jack - 1 star - I couldn't stand "Mario Pagan St John". The writing was poor, filled with cliches and overused tropes. The dialogue was cringeworthy and the story was predictable from start to finish. I didn't connect with any of the characters and found myself rolling my eyes at their actions. It's safe to say that I will not be picking up any more books from this author.
3. Emily - 2 stars - "Mario Pagan St John" was a major letdown. The pacing was off, with slow and dragging sections that made it difficult for me to stay engaged. The world-building felt underdeveloped and lacked originality. The romance between the main characters felt forced and lacked chemistry. Overall, I was unimpressed with this book and would not recommend it to others.
4. Michael - 3 stars - While "Mario Pagan St John" had some interesting ideas, it failed to live up to its potential. The writing style was average, nothing special or captivating. The characters were forgettable and I found it hard to care about their fates. The plot had potential, but it felt rushed and left me wanting more. Overall, it was an okay read, but nothing memorable or outstanding.
5. Sarah - 2 stars - I was really hoping to enjoy "Mario Pagan St John", but it fell flat for me. The story lacked originality and felt like a rehash of other books I've read. The main character was bland and had no real depth. The dialogue was stilted and at times felt unnatural. Overall, I was underwhelmed by this book and wouldn't recommend it to others.