Do you have a child who has a passion for magic? Are they always practicing card tricks and disappearing acts? If so, you may want to consider enrolling them in a nearby magic camp. Magic camps provide a unique opportunity for children to learn and develop their magic skills in a fun and supportive environment. These camps are designed to cater to all skill levels, from beginners to more advanced magicians. At a magic camp, children will have the chance to learn from experienced magicians who will teach them a variety of magic tricks and illusions. They will also have the opportunity to meet other children who share the same love for magic, creating a sense of community and belonging. In addition to learning magic tricks, children will also have the chance to perform in front of an audience.
My article paints a very bleak picture of the film, but I laughed quite a few times during my first viewing of I Am Not a Witch. Most of the jokes come from the clashes between ancient traditions and the slow advance of globalization; for example, Shula’s trial gets interrupted many times by the “Old MacDonald Had a Farm” ringtone the elderly owner of the phone didn’t know how to mute. At one point, the witches received wigs labeled with the misspelled names of celebrities like “Beyancey.”
In theory, the official recognition of the authorities sanctioned by tradition seems like a good step toward decentralization in post-colonial reality. That most of the women at the camp are elderly exposes the reality of a global society where, in many places, the elderly, particularly elderly women, are considered at best an inconvenience and at worst a problem which must be eradicated.
In addition to learning magic tricks, children will also have the chance to perform in front of an audience. This helps to build their confidence and stage presence, as well as providing them with the opportunity to showcase their skills. Magic camps typically offer a range of activities and workshops in addition to magic instruction.
I Am Not a Witch review – magical surrealism
I n a remote Zambian village, a nine-year-old girl (Margaret Mulubwa) is accused of being a witch and given a stark choice: to accept her supernatural branding and live a tethered life as a sorceress, or to cut her ties with local tradition and be transformed into a goat that may be killed and eaten for supper. Thus begins this bewilderingly strange yet terrifically sure-footed feature debut from writer-director Rungano Nyoni. Born in Zambia and part-raised in Wales, Nyoni first made international waves with such award-winning shorts as Mwansa the Great (2011) and Listen (2014). Now, this daringly satirical parable of magic and misogyny, superstition and social strictures confirms her promise as a film-maker of fiercely independent vision, with a bright future ahead.
Unsurprisingly opting to embrace her supernatural status, the young heroine of I Am Not a Witch is sent to the local “witch camp”, an enslaved tourist attraction. Here, the women offer a sense of community and protection to the all-but-silent newcomer, whom they name Shula (“it means ‘to be uprooted’”). But when government official Mr Banda (Henry BJ Phiri) declares that “you are my little witch now”, a strange form of celebrity looms. Soon, Shula is being paraded around local courts and TV stations, dispensing divine justice and hawking magical eggs – all for the profit of her garrulous keeper. “What if she’s actually just a child?” asks the presenter of the Smooth Talk chatshow, a question that is met with stony silence from her “state guardian”.
Nyoni was apparently inspired by real-life reports of witchcraft accusations in Zambia, and her research took her to Ghana, where she became the first foreigner to sleep in one of the world’s oldest “witch camps”. Here, she observed first hand the daily rituals of these women whose fates have been sealed by “nothing more than hearsay”. Yet for all its factual grounding, I Am Not a Witch is also a work of fairytale invention, unravelling the threads of its quasi-mythical narrative with anarchic aplomb. In particular, the motif of women restrained from flight by vast lengths of white ribbon has a touch of Charles Perrault or the brothers Grimm – a magical-realist conceit that brilliantly dramatises the down-to-earth reality of the ties that bind.
Margaret Mulubwa is a mesmerising presence, her stoical countenance broken occasionally by a radiant smile
There’s a hint of the absurdist tragicomedy of Yorgos Lanthimos’s The Lobster too, as Shula faces a Kafkaesque choice between enforced conformity and metamorphosis. Brilliantly, Nyoni keeps her audience wondering whether they’re meant (or allowed?) to laugh or cry at this insane predicament, juxtaposing scenes of poignant despair with sociopolitical existential slapstick. Early accusations of witchcraft have an almost Pythonesque quality, while a sequence in which a show trial is interrupted by a mobile phone is pure farce. Fans of Chilean surrealist Alejandro Jodorowsky will warm to a streak of deadpan humour that is drier than the arid plains upon which Shula dances to summon the rain.
Having worked monochrome miracles on Ciro Guerra’s Amazon odyssey Embrace of the Serpent, cinematographer David Gallego here conjures a kaleidoscope of arresting tableaux: lonely Shula listening through a blue horn to the distant laughter of schoolchildren carried on the wind; a huge orange truck with women tied to outstretched reels, like some mobile fairground ride; the open mouth of a giant head looming towards us, while a frightened child huddles within. These images are hauntingly composed and dreamily sustained, the length of the shots heightening comedy and tragedy alike, with heartbreaking results. Meanwhile, music cues swerve from Vivaldi to Estelle, keeping the audience on edge and uneasy.
At the centre of it all is a group of nonprofessional players, led by young Margaret Mulubwa, who was discovered during a location recce in Luapula Province. And what a discovery she is! With a face that can transform from innocence to defiance in an instant, Mulubwa is a mesmerising screen presence, her stoical countenance broken occasionally by a radiant smile that lights up the landscape.
As for Nyoni, her ability to blend cruel humour, pointed satire and empathetic anger to produce something touched by tragic transcendence is astonishing. In interviews, she has described watching Michael Haneke movies as “my film school” (perhaps those white ribbons are a homage?). Yet she has also talked enthusiastically about her love of the witchy 1996 teen fantasy The Craft. With such wide-ranging influences, who knows what this remarkable film-maker will do next? Having been spellbound by her audacious first feature, I can’t wait to find out.
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The film’s main character is a nine-year-old Zambian girl named Shula who gets dragged into the police station of a new town because she frightened a woman and made her drop a bucket of water. We never learn what made her wander into a place she’s never been before. More importantly, no one seems concerned about any trauma that could have led her there. As someone who worked in the education sector, my first intuition would be to ask an oddly-behaving child where his or her parents are and if everything is all right. We gather that every stranger in the village was automatically labeled as a witch, especially when they are too afraid to speak out and explain themselves. Shula never said, “I am not a witch”—and the consequences are fatal.
These may include arts and crafts, drama, and even outdoor activities. This ensures that children have a well-rounded experience and have the chance to explore other interests while at camp. Whether your child dreams of becoming a professional magician or simply enjoys performing magic as a hobby, a nearby magic camp can provide them with the skills and experiences they need to enhance their talents. These camps are not only enjoyable, but they also help to foster creativity, confidence, and teamwork. So why wait? Enroll your child in a nearby magic camp and watch their magical talents soar!.
Reviews for "nearby magic camps"
1. Emily - ★☆☆☆☆
The Nearby Magic Camps was a disappointment for my child. The activities were poorly planned and lacked any educational value. The camp organizers did not invest enough effort into making the experience enjoyable for the kids. The counselors were disorganized, distant, and didn't seem to have any passion for what they were doing. Overall, I wouldn't recommend this camp to any parent looking for a meaningful and engaging magical experience for their child.
2. Mark - ★★☆☆☆
I enrolled my son in the Nearby Magic Camps, hoping he would have a fun and educational summer experience. However, I was left underwhelmed with the overall quality of the camp. Although the facilities were decent, the camp itself lacked structure and direction. The counselors seemed more interested in chatting amongst themselves than engaging with the children. The activities were repetitive and offered little opportunity for creativity or problem-solving. I would advise parents to explore other options before settling for this camp.
3. Michelle - ★★☆☆☆
My daughter attended the Nearby Magic Camps last summer and it didn't meet our expectations. The camp was chaotic, with too many kids and not enough staff to properly manage them. The daily schedule was poorly organized, leading to constant confusion and wasted time. Additionally, the lack of communication between the camp organizers and parents was frustrating. Overall, I wouldn't recommend this camp as it left us feeling unsatisfied and disappointed with the experience.