Witchcraft has been a subject surrounded by mystery and fear for centuries. The idea of a witch, with her supernatural abilities and sinister intentions, has captured the attention of people across cultures throughout history. From the witch trials of Salem to the folklore of Europe, the figure of the witch has been both vilified and romanticized. However, over time, the perception of witches has shifted dramatically, and **witchcraft has been largely annihilated and replaced with more rational and scientific explanations for natural phenomena**. In medieval Europe, the fear of witches reached its peak. It was believed that witches made pacts with the Devil, performed dark rituals, and possessed the power to harm others through black magic.
A: +WD*, +2 Works, Covens
B: +WD*, +2 Works, Crafts
C: +WD*, +2 Works, Wyrd Transport
D: +WD*, +2 Works, +1 Emblem Work.
Creating and imbuing such an item with a Work requires an amount of hours equal to the WD invested, and the item must also be larger per WD that is invested. He acquired the adamantine kama sickle in exchange for sacrificing a portion of his patron s power his future 5th level warlock s Eldritch Invocation.
It was believed that witches made pacts with the Devil, performed dark rituals, and possessed the power to harm others through black magic. Thousands of people, primarily women, were accused of witchcraft and subjected to brutal trials and executions. The hysteria surrounding witchcraft grew to such an extent that it became a social phenomenon, with people readily denouncing their neighbors and family members as witches.
Witch has been annihilated
Unlike Skreples' Wizard and its many schools, most classes in GLOG do not benefit from a central template which can be adapted into many forms, making that particular class both very diverse and very well-liked. I hope to change this somewhat by bringing you a Witch class that can be fitted with Traditions, just as a Wizard may be fitted with Schools.
Are you ready? If so, put on your pointy hat. No, not the one with the stars. The other one.
Instead of harnessing Spells, which are the bizarre and fickle beings that inhabit wizard brains, a witch has Works. Witches don’t believe in something as gaudy as firing rabid arcane energy ferrets out of your skull. Instead of forcing reality’s hand, like wizards do, they simply give it a suggestion and make it think it was its idea in the first place. Granted, it might have some questions afterwards, but by then a witch has already got what she wanted. Witches have familiars far more often than wizards, as they make for an interesting second opinion that usually a wizard would prefer not to hear, and they're an extra brain to keep track of which alignments of which stars do what to growing crops, the sheep liver colour wheel, and other such knowledge.
| (art by Pat Shewchuk and Marek Colek, aka Tin Can Forest) |
A witch can come as three forms, which are typically defined as a progressive dedication to the craft, or if you will, submersion into it. In orthodox witchery these are the Maiden, the Mother and the Crone. The Maiden has Work Dice of 1d4, the Mother 1d6, and the Crone 1d8. The Maiden has a significant perk, the Mother a minor perk and minor drawback, and the Crone has a significant drawback.
Each level a witch can move one step: Maiden <->Mother <->Crone. She can also stay the same, and always start at Maiden. Each of the three has a separate set of 2 Signs, which are minor magics that a witch can cast at will without the use of WD. Rules for WD returning are identical to those of a Wizard. At Level 4, the Emblem Work a witch gets depends on which of the three she is. The three Emblem Works are not supposed to be equal in power: despite all being significantly strong Works, a Maiden's is the weakest Emblem work, a Mother's is quite powerful, and a Crone's is very powerful.
Instead of Mishaps, Witches gain Attentions. Instead of Dooms they Lose Their Grip.
While a wizard's Mishaps are a result of the Wizard himself, a witch's Attentions are not like this: think of an attention as having gotten on some local spirit, demon or god's radar. A Wizard rams his face headlong into reality, which is usually tolerated because it's easy to keep track of. A witch tricks reality when it isn't looking, so supernatural forces consider her far more dangerous on account of being unable to keep tabs on her. Attentions can often be solved, not with a save, but with a sacrifice. An example: "Local spirits have noticed your Working and will come to drain your power tonight. Make a sacrifice of blood (2 HP) or do not replenish any WD when next you rest."
Losing Grip implies that a witch's hold on her humanity is slipping. After all, high strangeness is involved with all kinds of witchcraft. There are four levels of Losing Grip, with the last being a final and irrevokable descent into inhumanity, at which point the character is lost. A Maiden can Lose her Grip four times before this final stage (going through 1 to 4), a Mother three times (2, 3 and 4) and a Crone only twice (3 and 4).
| (art by Mike Mignola, Baba Yaga, Hellboy comics) |
A: +WD*, +2 Works, Covens
B: +WD*, +2 Works, Crafts
C: +WD*, +2 Works, Wyrd Transport
D: +WD*, +2 Works, +1 Emblem Work.
* = The Maiden has one more Work Die than her Level, the Mother has an equal amount to her level, and the Crone has one less.
Covens: Witches benefit from being part of a coven- that is, going about their business as a group rather than on their own. Starting from three, Witches can pool their WD into a Work that they all know, to cast it as one Work, using all invested WD. However, any resulting Mishap or Doom affects all witches casting.
Crafts: Witches can, instead of immediately having their Work take effect, 'store' their Work in a potion, a wicker doll, or in an element of the area, like runes painted on a stone or a circle of stones arranged in a certain order. Creating and imbuing such an item with a Work requires an amount of hours equal to the WD invested, and the item must also be larger per WD that is invested. For example, a 1 WD potion fits in a bottle than can be held between your fingers, while a 3 WD potion fills up a whole milk can.
A Craft activates its Work when a certain thing happens to the Craft: the condition for the Work's activation can be chosen by the witch, but it must involve a direct interaction with the Craft. The Work in a potion cannot activate because it rains two miles south, but it can activate because someone drinks the potion, for instance. If the work has a creature as target, it will target the creature(s) most related to the activation condition (the creature that drinks the potion, touches the wicker doll, etc). If it has other specific target requirements, the witch must decide these when she makes the Craft.
Work Dice the witch spends making a Craft cannot return to her until the Craft has activated or has been destroyed/exorcised. When the Craft is destroyed or exorcised, the WD it contained are depleted as though it had activated.
Wyrd Transport: Witches are notorious for their bizarre ways of getting around the place. A witch may bewitch one mundane item to become mobile in some way. If the item is person-sized or smaller, it may fly. If it is larger, it must be earthbound. The size limit of these transports is the size of a hut. The smaller the transport, the faster it can move. For example, a flying broom may be as quick as a galloping horse, but a hut on chicken legs is clearly a slow transport.
| (art by Phobs) |
Typical elements of a ceremonial anti-witchcraft ritual include offerings presented to the deities invoked in the ritual, prayers and incantations, the fabrication and manipulation of substitutes representing the witches or their witchcraft and various rites of purification of the patient.
The fear of witches began to wane in the Age of Enlightenment, which brought with it a wave of scientific advancements and rational thinking. People started questioning the existence of witches and turned to science to explain the natural phenomena previously attributed to witchcraft. This shift in perspective led to the decline of witch hunts and persecution. While the notion of witches has largely been eradicated from mainstream society, witchcraft still persists in some form. Wicca, for example, is a modern religion that draws inspiration from ancient pagan beliefs and practices. **However, Wicca and other modern forms of witchcraft are viewed more as spiritual or symbolic practices rather than the literal manifestation of magic and witchcraft**. In conclusion, the concept of witches and witchcraft, once a source of terror and fascination, has been largely annihilated by the progress of rational thinking and scientific explanations. While remnants of witchcraft still exist in modern society, they are no longer seen as a genuine threat or supernatural force. Instead, they are often regarded as symbolic or spiritual practices rooted in ancient traditions. The annihilation of witchcraft is a testament to the power of human progress and the evolution of our understanding of the world around us..
Reviews for "Myth vs. Reality: Debunking the Stereotypes of Witchcraft and Annihilation"
1. Karen - 2/5 - I was really excited to read "Witch has been annihilated" as I enjoy fantasy novels. However, I found this book to be extremely underwhelming. The plot was slow-moving and the characters lacked depth. I also felt that the world-building was weak, with little explanation of the magic system or the history of the witch's world. Overall, I was disappointed by this book and would not recommend it.
2. John - 1/5 - "Witch has been annihilated" was a complete waste of my time. The writing was mediocre, with awkward phrasing and poor grammar throughout. The story was boring and predictable, without any unique or original ideas. The characters were one-dimensional and I couldn't connect with any of them. I would advise others to steer clear of this book and find something better to read.
3. Amanda - 3/5 - While "Witch has been annihilated" had its moments, I found it to be a mediocre read overall. The pacing was inconsistent, with some parts dragging on for too long while others felt rushed. The plot lacked depth and complexity, and the ending was unsatisfying. However, there were a few interesting twists and turns that kept me engaged. It's an average book in the fantasy genre, but I wouldn't consider it a standout.
4. Mike - 2/5 - "Witch has been annihilated" had the potential to be a great fantasy novel, but it fell short in many aspects. The dialogue was clunky and lacked authenticity, making it hard to connect with the characters. The world-building was also lacking, as there were many unanswered questions about the magic system and the witch's powers. The plot had promise, but it felt disjointed and poorly executed. Overall, I was left disappointed with this book and wouldn't recommend it to others.