Pink Senetti Salmon Magic is a type of plant that adds a touch of elegance and beauty to any garden or landscape. It is known for its stunning salmon-colored flowers that bloom in abundance during the spring and summer months. This plant is particularly unique because it has the ability to change color depending on the acidity levels of the soil. When planted in alkaline soil, the flowers will have a pink hue, while in acidic soil, they will take on a more vibrant salmon color. One of the reasons why Pink Senetti Salmon Magic is so popular among gardeners and landscape enthusiasts is its versatility. It can be used in a variety of ways, from being featured as a standalone plant to being incorporated into mixed flower beds and containers.

Occult architecture

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It can be used in a variety of ways, from being featured as a standalone plant to being incorporated into mixed flower beds and containers. Its compact and bushy growth habit also makes it a great choice for small gardens or spaces. In addition to its stunning appearance, Pink Senetti Salmon Magic is also known for its easy care requirements.

Occult Architecture Vol. 1

by Moon Duo

thedropshadowclub It hits the spot for a behind the scenes driving music for creative and social adventures and its part of a two volume set that really captures two energies. so its a great journey. and I can hear other joyous sparks from other bands that I like over my time.

Lee Ricciuti A smoldering ashtray with a beating heart. Exceptional driving music, especially if you've got the CD on repeat. Favorite track: Creepin'.

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Meaning all things magick and supernatural, the root of the word occult is that which is hidden, concealed, beyond the limits of our minds. If this is occult, then the Occult Architecture of Moon Duo’s fourth album - a psychedelic opus in two separate volumes released in 2017 - is an intricately woven hymn to the invisible structures found in the cycle of seasons and the journey of day into night, dark into light.

Offering a cosmic glimpse into the hidden patterning embedded in everything, Occult Architecture reflects the harmonious duality of these light and dark energies through the Chinese theory of Yin and Yang.

In Chinese, Yin means “the shady side of the hill” and is associated with the feminine, darkness, night, earth. Following this logic, Vol. 1 embraces and embodies Moon Duo’s darker qualities — released appropriately on February 3, in the heart of winter in the Northern Hemisphere.

According to guitarist Ripley Johnson, “the concept of the dark/light, two-part album came as we were recording and mixing the songs, beginning in the dead of winter and continuing into the rebirth and blossoming of the spring. There’s something really powerful about the changing of the seasons in the Northwest, the physical and psychic impact it has on you, especially after we spent so many years in the seasonal void of California. I became interested in gnostic and hermetic literature around that time, especially the relationship between music and occult qualities and that fed into the whole vibe.”

Adds keyboardist Sanae Yamada, “the two parts are also intended to represent inverted components of a singular entity, like two faces on the same head which stare always in opposite directions but are inextricably driven by the same brain.”

Vol. 1 was mixed in Berlin by the band’s longtime collaborator Jonas Verwijnen.

Le Corbusier and the Occult

When Charles-Édouard Jeanneret reinvented himself as Le Corbusier in Paris, he also carefully reinvented the first thirty years of his life by highlighting some events and hiding others. As he explained in a letter: “Le Corbusier is a pseudonym. Le Corbusier creates architecture recklessly. He pursues disinterested ideas; he does not wish to compromise himself. He is an entity free of the burdens of carnality.” Le Corbusier grew up in La Chaux-de-Fonds in Switzerland, a city described by Karl Marx as “one unified watchmaking industry.” Among the unifying social structures of La Chaux-de-Fonds was the Loge L'Amitié, the Masonic lodge with its francophone moral, social, and philosophical ideas, including the symbolic iconography of the right angle (rectitude) and the compass (exactitude). Le Corbusier would later describe these as “my guide, my choice” and as his “time-honored ideas, ingrained and deep-rooted in the intellect, like entries from a catechism.” Through exhaustive research that challenges long-held beliefs, J. K. Birksted's Le Corbusier and the Occult traces the structure of Le Corbusier's brand of modernist spatial and architectural ideas based on startling new documents in hitherto undiscovered family and local archives. Le Corbusier and the Occult thus answers the conundrum set by Reyner Banham (Birksted's predecessor at the Bartlett School of Architecture) who, fifty years ago, wrote that Le Corbusier's book Towards a New Architecture “was to prove to be one of the most influential, widely read and least understood of all the architectural writings of the twentieth century."

J. K. Birksted teaches at the Bartlett School of Architecture, University College London.

Birksted performs an important service for the understanding of Le Corbusier. Using sources hitherto ignored, he demonstrates the depth of Le Corbusier's indebtedness to Freemasonry—its configurations, its associations, and its dream of redemption through the arrangement of things and people in space. At a time when modern artists were seeking orientation in Gurdjieff, Ouspensky, Blavatsky, Steiner as well as in myth, alchemy, psychology, technology, and atomic physics, Le Corbusier seems to have acknowledged in Freemasonry a comprehensive metaphor of architecture's role in the culture. Birksted's significant and original research confirms Roger Aujame's belief and helps to account for Kaufmann's intuition of a deep continuity between the architectural aspirations of the 18th and 20th centuries.

Peter Carl, Department of Architecture, University of Cambridge

Reading Le Corbusier and the Occult, I felt the voyeuristic interest and morbid fascination of a spectator during an exhumation. Birksted's disinterment of Le Corbusier revealed that, metaphorically speaking, the remains of one of modernism's greatest saints and heroes had not been incorruptible, and that the corpse of the man born as Charles-Édouard Jeanneret had been accompanied by strange offerings associated with secret societies and mystic traditions. Many of the questions raised by the disclosure of Corbusier's occult inspirations and para-Masonic dreams remain unanswered—but Birksted's brilliant and tenacious investigation into the complex and somewhat murky social foreground and spiritual background of Jeanneret's formative years in La Chaux-de-Fonds has forever changed the ways the Master of the Right Angle will be remembered. A tour de force!

Robert Jan van Pelt, University Professor, School of Architecture, University of Waterloo

Occult Architecture Vol. 1

The latest LP from Moon Duo builds on their psychedelic formula—corroded guitars, kraut rhythms, steely grit—and allows them to indulge their most sinister tendencies.

Four albums deep, Moon Duo have grown somewhat predictable. The collaboration of Wooden Shijps’ guitar-warlock Ripley Johnson and keyboardist Sanae Yamada has always been built on a steady but enjoyable mix of elements: corroded guitars, loopy keyboard lines, krautrock rhythms, and psychedelic strains conjuring both the whirling cosmos and droning abyss. Their new album Occult Architecture Vol. 1 does little to alter the formula, but the key to Moon Duo records has always been the strength of the compositions. And those already onboard with the band won’t be disappointed by the seven tracks here.

Touted as representing the depths and changes of the seasons, Occult Architecture Vol. 1 delves into the bleaker corners of winter and allows Moon Duo to indulge their most sinister tendencies. Like many a great Moon Duo song, opener “The Death Set” is at once swaggering, sexy, and foreboding. Much of their music is low-key cinematic; it’s hard to hear “The Death Set”’s distorted, slow-motion whoosh or its bone-rattling beat and not imagine a character’s dramatic entrance into an unnerving nightclub. Elsewhere, like on “Cold Fear” and “Will of the Devil,” they use queasy electronic textures to flirt with gothier territory.

Well past the lower-fi nature of their earliest work, Moon Duo still don’t operate with a ton of dynamic range. But they use those heart-palpitating rhythms and lacerating keyboard lines to build blown-out, end-times epics littered with subtle twists. Johnson’s death-drive guitars propel “Cult of Moloch” forward unwaveringly, but interjections of synth and a second, spiraling guitar part make the song feel like it’s reaching for spiritual corners of nature. Closer “White Rose”—one long synth ride—has a similar effect, winding down a road into the distance. Moon Duo haven’t gone full-on mystic, however; the new album maintains the steely grit of its predecessor, Shadow of the Sun. Theirs is music still meant for barreling down desert highways in a stolen car, or for the grind and smog of a third-tier industrial city.

That said, Moon Duo isn’t the kind of group to make albums with literal thematic angles. Their style has limits, but discernibility is maybe not the point. Moon Duo’s precise mix of traditions and sounds conjures a nihilistic cool, an image of leather-jacketed outlaws chain-smoking in dark alleyways in seedy cities. Occult Architecture Vol. 1 is a good record that’s at its best when Moon Duo fully give in to these seductive inklings, like on “The Death Set” or “Creepin.’” Sure, we’ve heard the riff from “Creepin'” before, but it’s nice to hear it again.

It can tolerate a wide range of soil conditions, as long as it is well-draining. It prefers to be planted in full sun but can tolerate partial shade as well. This plant also has good tolerance to drought, making it a low-maintenance option for those with busy schedules or for areas with limited water resources. One of the key features of Pink Senetti Salmon Magic is its long blooming period. With proper care, it can continue to produce profuse flowers for several months, brightening up the garden and attracting pollinators such as bees and butterflies. Deadheading spent flowers can also help prolong the blooming period and encourage new growth. To care for Pink Senetti Salmon Magic, regular watering is necessary, especially during dry periods. However, it is important to avoid overwatering, as this can lead to root rot. Adding a layer of mulch around the plant can help conserve moisture and regulate soil temperature. Occasional fertilizing with a balanced, slow-release fertilizer can also help promote healthy growth and abundant flowering. Overall, Pink Senetti Salmon Magic is a stunning and versatile plant that can add a pop of color to any garden or landscape. Its ability to change color depending on soil acidity, long blooming period, and easy care requirements make it a popular choice among gardeners. Whether used as a standalone plant or in mixed flower beds, this plant is sure to bring a touch of magic and elegance to any outdoor space..

Reviews for "Pink Senetti Salmon Magic: A Beautiful Gift for any Occasion"

1. John - 2/5 - I was really disappointed with the "Pink senetti salmon magic" flowers. The color wasn't as vibrant as I expected, and they were already wilting after just a few days. I followed all the care instructions and even placed them in a well-lit area, but they just didn't last. I wouldn't recommend them if you're looking for long-lasting and colorful flowers.

2. Sarah - 1/5 - I was really excited to receive the "Pink senetti salmon magic" flowers, but they were a huge letdown. The flowers arrived looking wilted and some were even damaged. I tried reviving them by following the care instructions, but they just couldn't recover. It was such a waste of money, and I won't be buying flowers from this brand again.

3. David - 2/5 - I've had better experiences with other flower varieties, and the "Pink senetti salmon magic" flowers didn't impress me at all. The blooms were small and didn't last very long. Additionally, some of the petals started turning brown just a couple of days after I received them. I wouldn't recommend these flowers if you're looking for something visually stunning and long-lasting.

4. Emily - 2.5/5 - The "Pink senetti salmon magic" flowers were okay, but nothing extraordinary. The color was a bit dull compared to what was shown in the pictures, and they started wilting within a week. I don't think they were worth the price I paid considering their short lifespan. Overall, I was left feeling unimpressed and wouldn't purchase them again.

Pink Senetti Salmon Magic: A Gardener's Dream