The Amityville Horror is a popular horror franchise that began with a book published in 1977 by Jay Anson. The book claims to be a true story of the supernatural experiences of the Lutz family, who moved into a house in Amityville, New York. The story revolves around the paranormal activities that allegedly occurred in the house, including demonic possession, flies infestation, and mysterious voices. The events described in the book were adapted into a series of films, with the original 1979 film gaining critical and commercial success. The film portrays the Lutz family's terrifying experiences in the haunted house, where they encounter malevolent spirits and eventually flee the premises in fear for their lives. The Amityville franchise has since released several sequels and spin-offs, further exploring the haunted house's dark history.
Books of Magic, Spells, Charms, and Incantations
The contents of magic texts represent much more than magic itself. Their little-studied artistic qualities reveal unique traditions of illustration, design, and imagination. Text and image were often literally entwined on the page, the potency of both inextricably linked. Here I have chosen seven texts from across time and across the globe that show the enduring creative power of magical art.
Book of the Dead of Reri (Egypt, 305–30 BCE)
The funerary practices of the elite in ancient Egypt included the creation of a “Book of the Dead” or the “Book of Coming Forth by Day” which was placed in the coffin or tomb of the deceased. It consisted of a series of illustrated spells written on papyrus that would be of great use in the afterlife. The Book pictured here was for a man named Reri who was a priest in charge of the administration of a temple at Thebes, managing offerings to Amun, the patron deity of the city. His Book of the Dead, like others, contained spells for protection against snakes and crocodiles, which were deemed just as much a threat in the spiritual world as they were in earthly life. One vignette illustrates a spell against crocodiles that begins: “Get back, you dangerous one! Do not come against me, do not follow my magic’, and ends with, “no crocodile which lives by magic shall take [my magic] away!”
Avalokiteśvara dhāranīs (China, 10th century CE)
During the 9 th and 10 th centuries, a print revolution took place in China. The well-established technology of wood block printing was applied to the more recent development of paper making. Sheets of religious texts and images could now be printed cheaply in their thousands and were sold in China’s urban centres as a protective amulet. These dharani sutras often display impressively intricate interplay between text and image. This Avalokiteshvara dharani, found in Dunhuang caves, China, depicts Avalokiteshvara, the hugely popular figure of Buddhist legend who is the earthly manifestation of the eternal Buddha. More to the point, he guards the world, and his compassion knows no bounds. Hence, he was, and is, a popular figure to include in protective talismans. Around his figure is the dharani or mantra written in Sanskrit. A version in Chinese is also provided at the side so that lay people could also recite it for protective purposes.
Ahmad ibn al-Būnī’s Shams al-ma‘ārif (The Sun of Knowledge) (Arabic, thirteenth century)
Shams al-maʻārif (“The Sun of Knowledge”) was a practical manual of Islamic and Islamicised magic. It was written by Aḥmad ibn al-Būnī, who was born in Algeria but was based in Egypt. He was a thirteenth-century Sufi scholar of mathematics, philosophy, and the occult. Once copies of the Shams al-maʻārif began to circulate in various versions beyond Sufi scholars the book went on to have an enduring influence on Islamic magic tradition and practice. It contained relatively little theory and was full of recipes and instructions for creating talismans. Al-Būnī argued that the only way to talk to or harness the jinn, angels, and other spirits was through the potent combination of Arabic letters known as ilm al‐huruf (the science of the letters), magic number and letter squares, the 99 ‘beautiful names of God’, and occult geometry.
Key of Solomon (Europe, 15 th century)
According to the Old Testament, Solomon was the son of King David and his successor to the throne of the kingdom of Israel. In the Bible he was known for his great wisdom and for building the great temple in Jerusalem that housed the Ark of the Covenant. There is no mention of Solomon as a magic worker, though. Yet from the early centuries of the Common Era, books of magic were attributed to him. In the fifteenth century, a new Solomonic grimoire appeared in Europe, the Clavicule or Key of Solomon, that would further place Solomon at the centre of the European magical tradition. It came with its own discovery narrative or ‘find story,’ which is a fictional device common to grimoires and other esoteric texts from the ancient world to the present. Solomon tells his readers that he wrote the Key for his son Rehoboam and told him to conceal it in his tomb after his death. Many years later some Babylonian philosophers embarked on repairing the tomb and discovered it. The numerous versions of the Key of Solomon that circulated were remarkable for the ritual and talismanic circles, pentagrams, and pentacles they contained.
Ethiopian incantation scroll (19 th century)
In the age of nineteenth-century empires, there was a particular colonial interest in Christian Ethiopian manuscripts with thousands plundered and traded by Europeans. Amongst them are numerous works of magico-religious significance. Collectors were particularly fascinated with the distinctive amuletic scroll texts written in Ge’ez, an ancient ‘dead’ language that remained the official liturgical script of various Ethiopian Christian churches. They were mostly written on parchment by the debtera, a cadre of Orthodox holy men who made money from healing and offering magical services as well as providing religious duties. The small scrolls they sold, which also included stylised Christian iconography, were kept in cylindrical leather containers or were tied up with cloth and worn on the person for protection against the evil eye and ill fortune. Larger scrolls consisting of stitched together parchment leaves were sometimes hung on walls unfolded.
The Great Pustaha (Sumatra, nineteenth century)
Pustahas are books of magic that were written down by Batak magician-priests (North Sumatra). They were made from wood bark and consist of a series of glued, folding leaves that open like a concertina, rather than having separate pages and a spine. Some had elaborately carved wooden covers. They contain a mix of magic, mythic stories of gods and monsters, astrological tables, divination, and medicine. There were instructions for reading omens from the shape of clouds or divination by the entrails of a chicken, accompanied by an illustration of a chicken in black and red ink. A common image is that of the four-legged dragon-demon known as the Naga Padoha, who holds up the earth and was thought responsible for earthquakes. One of the pustaha divination rituals requires the drawing of such an image on the ground.
The Cyprianus book (Central and South America, 20th century)
European magic books had circulated across Central and South America since the early days of the colonial era, but during the twentieth century presses across the region produced a range of cheap, mass market magic books. The biggest selling, and most culturally influential, was a genre of Spanish and Portuguese books of spells and charms attributed to the legendary Saint Cyprian. Known as the Livro de São Cypriano in Brazil and the Libro de San Cipriano in Spanish speaking countries, they contain a variety of healing charms, recipes, and instructions for finding treasure. In the 1950s and 1960s there was a significant increase in the number of distinctly Brazilian editions, fuelled by the growing market for manuals concerning the Afro-Brazilian syncretic religions known as candomblé and umbanda, which mix Catholicism with African religions, spiritism, and indigenous beliefs.
Owen Davies is professor of social history at the University of Hertfordshire and president of the Folklore Society. He is the author of numerous books on the history of witchcraft, magic, ghosts, and popular medicine.
BC3. Basque centre for climate change – Klima aldaketa ikergai
Do you think that love is beautiful? A lot of people seem to agree especially if they are also receiving love from the person that they like. It’s going to be different for people who have always experienced unrequited love. This means that the love that they want has never been returned to them.
If you think that love spells will have the power to change the way that you are experiencing love, then you can do that. All you need to do is to find the right love spells. Some are always searching for the right love spells online. It’s confusing especially since there are a lot of websites to check. You can look at https://spellshelp.com/articles/love_magic/the-black-magic-love-spell-will-make-any-person-you-want-fall-in-love-with-you/ because these are spells that are recommended by Spellcaster Maxim. If you want to get a spell caster, you have to make sure that you’re getting someone you can trust.
The Amityville franchise has since released several sequels and spin-offs, further exploring the haunted house's dark history. However, controversy surrounds the authenticity of the events depicted in The Amityville Horror. Skeptics argue that the Lutz family fabricated their experiences for fame and financial gain.
Do You Need Spells to Make Someone Love You?
People can still be skeptical about using a spell to make someone love you. Some think that this is unnatural. Other people have not even tried to check how love spells are supposed to work. They just judged love spells based on what they heard. You are always required to research and read about the things that catch your interest. Your interest in make someone love you spells should make you feel that you want to know all the possible details.
Are Using Love Spells Ethical?
Some people feel that they should not use love spells because they don’t think that it is ethical. This is unethical if you are using a spell to make someone love you deeply with manipulation in mind. This will depend on your intentions and what you want to get from the spell.
If you intend to get true and long-lasting love, then you do not have to worry about anything. You are using a spell to make someone fall in love with you with pure intentions in mind.
As long as you know that you do not want to cause anything bad to the people around you, then you do not have to worry about anything. You are going to get the love that you have always wanted without causing anyone to be miserable.
Do People Struggle Finding the Love of their Lives?
Some people are lucky because they find the people that they are going to spend the rest of their lives with early on in their lives. Some meet their partners in school while others meet their partners at random parties or in the office. Some of them stay for a long time.
Other people seem to have everything going for them. They have great careers. They are financially stable, and so much more. Yet, they are having trouble finding love. If you are experiencing this, you cannot help but ask yourself how to make someone fall in love with you. You are not alone. A lot of people feel this way and most of the time, they do not know what to do.
Just imagine finding the person who makes your heart flutter. It seems that no matter what you do, you cannot get the person to notice you. If the person knows you and you have a connection, there is also a possibility that the person does not see you as someone that he or she can have a romantic relationship. You can change the energies that surround you and the person with the power of spells to make someone fall in love with you. You can make your energies collide so that you can be together.
They point to inconsistencies in the family's accounts, such as changing versions of the incidents and allegations of plagiarism from other horror stories. Despite the controversy, The Amityville Horror remains a popular and enduring legend in the horror genre. The idea of a haunted house and the supernatural fascination associated with it have captured the imagination of audiences worldwide. Whether the events were real or not, the franchise has undeniably left a lasting impact on popular culture and continues to terrify and captivate audiences to this day..
Reviews for "Unseen Forces: The Entities behind the Amityville Curse"
1. John Smith - 1 star
"The Amityville Curse on Tubi was an absolute disaster. The acting was painfully bad, and the plot was ridiculously predictable. The so-called scares were laughable at best, and I found myself bored throughout the entire film. Save yourself the time and skip this one. There are much better horror movies out there."
2. Sarah Johnson - 2 stars
"I had high hopes for The Amityville Curse on Tubi, but unfortunately, it fell flat. The characters were poorly developed, and it was difficult to feel any connection or empathy towards them. The pacing was incredibly slow, and even when the action finally picked up, it was underwhelming. The movie relied too heavily on cheap jump scares, and the overall horror element left much to be desired."
3. Mark Thompson - 1 star
"The Amityville Curse on Tubi was a complete waste of time. The story was muddled and lacked any coherent direction. The special effects were cheap and unconvincing, making it hard to take the movie seriously. Additionally, the dialogue was cliché-ridden and felt forced. I regret wasting my evening on this disappointingly lackluster horror film."
4. Emily Roberts - 2 stars
"I found The Amityville Curse on Tubi to be quite disappointing. The atmosphere in the movie lacked tension, and I never felt truly scared or on edge. The plot was disjointed and felt like a series of random events rather than a cohesive story. The film had potential, but it failed to deliver on its promises. Overall, I wouldn't recommend it to any horror enthusiasts."
5. Michael Davis - 1 star
"The Amityville Curse on Tubi was a complete letdown. The acting was atrocious, and the characters were one-dimensional. The scares were predictable, and the movie relied too heavily on tired horror tropes. It felt like a cheap knock-off of better supernatural horror movies. Save your time and watch something else."