Highgate Cemetery: A Dark Portal to the Vampire World

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The Curse of the Highgate Vampire The story of the Highgate Vampire is a legendary tale that has captured the imaginations of many. It is said to revolve around a paranormal phenomenon that occurred in Highgate Cemetery, located in London, England, during the late 1960s and early 1970s. Highgate Cemetery is known for being one of the most famous burial grounds in the world and attracts visitors due to its eerie atmosphere and Gothic architecture. However, it was during this time that reports of strange and supernatural occurrences began to surface, leading to the belief that a vampire was haunting the cemetery. According to the legend, a local man named David Farrant claimed to have encountered a tall and dark figure with glowing red eyes while exploring Highgate Cemetery. Farrant, who was involved in occult practices and ghost hunting, became convinced that he had stumbled upon an undead creature.


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From the start of the war, Colonel Marina Raskova, a Soviet pilot who was known as the Russian Amelia Earhart, began receiving letters from women across Russia wanting to join the war effort in any way they could. At the peak of the regiment s strength, it had as many as 40 two-person crews, flying multiple bombing runs as soon as the sky darkened, taking part in as many as 18 in a single night.

Womanhood overnight witchcraft

Farrant, who was involved in occult practices and ghost hunting, became convinced that he had stumbled upon an undead creature. Soon after, other individuals came forward, sharing similar experiences. The vampire, as described by these witnesses, was said to be agile and capable of leaping over walls with ease.

Vulnerable women used to be suspected of witchcraft. Now witchiness is a sign of strength.

A demonstrator dressed as witch holds a sign reading “witches abortionists” during a protest for the International Day for the abortion rights on September 28, 2017 in Paris. / AFP PHOTO / Thomas SAMSONTHOMAS SAMSON/AFP/Getty Images

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When you think of a witch, what kind of person do you imagine stirring a cauldron bubbling and boiling with trouble?

Woody Allen might conjure up a Harvey Weinstein or his equivalent, as he warned of “a witch hunt atmosphere” in the wake of the film executive’s sexual misconduct scandal. Men have been accused of witchcraft. But throughout most of history and pop culture, it’s predominantly been women at the fringes of society — poor women, older women, childless women, widows — cast as witches.

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Hundreds of years ago, being called a witch could get you burned alive. Now women voluntarily call themselves witches as a way of asserting their power and independence.

As far back as the Bible, Exodus cautions that witches should not be allowed to live. Historian Jone Johnson Lewis says the height of European executions for witchcraft was from 1580 to 1650. In the United States, the Salem witch trials followed not long after. In the late 17th century, England’s rulers had just fought with France in the American colonies, unleashing refugees who strained the economy in Salem and fueled a general sense of paranoia. The community was looking for scapegoats.

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So what did it take to get suspected as a witch? Historian Marilynne K. Roach, author of “Six Women of Salem: The Untold Story of the Accused and Their Accusers in the Salem Witch Trials,” cites nine traits that could mark someone as potentially tighter with the devil than with God: being female; middle aged; an English Puritan; of low social position; stubborn or contentious; related to someone suspected of witchcraft; a person with few or no children; accused of theft or slander; or ratted out by a confessed witch.

Overall, being at the margins of society marked someone as potentially untrustworthy. Not having children could make you a suspicious character because “neighbors suffering misfortune might think you were attacking their larger families from jealousy,” Roach writes. “Being too often dependent on the neighbors’ help could cause them to resent you,” she adds in describing why poor women were often singled out as witches.

Without husbands to defend them, widows or unmarried women were especially vulnerable when accused of witchcraft. “They were more likely to be reliant on their neighbors for material assistance,” according to a 2001 article on witchcraft and old women in early modern Germany. “When this aid was refused … the anger of the spurned woman was understood as the cause of certain misfortunes suffered by her wealthier neighbours as a result of the guilt the latter felt at having failed to fulfill their traditional benevolent obligations.”

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However, for decades now, women have been embracing the persona of the witch, converting it from a slur to an assertion of their power in the face of male dominance. In the 1960s, women dressed up as witches to protest Wall Street, beauty pageants and Playboy Clubs. Today women dress as witches to protest anti-abortion policies. On a recent episode of the “Broad City,” comedians Abbi Jacobson and Ilana Glazer invoke witchcraft as their way of protesting the Trump era.

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Writer Lindy West, a woman who is not at all worried about being branded “contentious,” has fired back at Allen in a New York Times column, saying: “Sure, if you insist, it’s a witch hunt. I’m a witch, and I’m hunting you.” By speaking out about long-held secrets of sexual harassment, women are no longer remaining silent against more-powerful men. Their power is growing with each woman who pipes up.

This ongoing quest to flip the power differential is exactly why contemporary women love witches, Anne Theriault posits in a 2016 essay in the Establishment, writing that “to be a witch is to be a woman with power in a world where women are often otherwise powerless.” Maybe that’s done by speaking out where they had once been silent, or by the makeup they wear: “Black or dark purple lipstick might currently be in vogue, but on some level they subvert traditional feminine beauty standards and the ability to subvert or reject the status quo often confers a sense of power,” Theriault writes. “To grow your own kitchen herbs and have some knowledge of herb lore are powerful in the sense that the ability to provide for yourself — even on a small scale — is a type of power.”

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In her 2016 book “Spinster,” Kate Bolick also links self-sufficiency with witchcraft. In recalling her early 20s, when she was working several jobs on her way to a writing career, she fondly remembers how she would bicycle home from her restaurant gig, her pockets stuffed with cash from tips, reciting the first stanza of the Anne Sexton poem, “Her Kind”:

I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.

Bolick writes that she doesn’t know why she became entranced by that poem.

But I’ll take a guess. Her book is all about the wealth of opportunities open to women who delay marriage and childbearing, or pass it up altogether. These days, it’s possible to be contentious and stubborn and not have to worry about being called a witch. Sure, the online trolls are bad, but they’re the ones who end up looking more malevolent. It’s possible to make a living and a make life on your own, cycling home in the dark of night, pockets stuffed with your earnings. Considering how far women have come since the days they were hunted as witches, and since 1966 when Sexton wrote those words, on good days that transformation does resemble sorcery.

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Namely, the “Night Witches,” an all-female squadron of bomber pilots who ran thousands of daring bombing raids with little more than wooden planes and the cover of night—and should be as celebrated as their male counterparts.
The curxe of the highgate vampire

It was also believed to possess hypnotic powers and an insatiable thirst for blood. Word about the Highgate Vampire quickly spread, attracting the attention of vampire enthusiasts, ghost hunters, and curious onlookers alike. Highgate Cemetery became a hotspot for those seeking to catch a glimpse of the elusive vampire, resulting in numerous late-night excursions and stakeouts. However, as the vampire frenzy increased, so did the resulting vandalism and desecration of the cemetery. Graves were damaged, mausoleums were ransacked, and Satanic rituals were performed. The situation grew out of control, leading to the establishment of Highgate Cemetery Action Group, which aimed to protect the historic site. As the years passed, the legend of the Highgate Vampire began to fade away. Skeptics dismissed the sightings as mere hoaxes or misinterpretations of natural phenomena. Nonetheless, the tale remains etched in the annals of paranormal lore, offering a fascinating glimpse into the human fascination with the supernatural. While the existence of the Highgate Vampire may forever remain a mystery, its influence on popular culture is undeniable. The legend has inspired books, documentaries, and even films. Highgate Cemetery itself has become an iconic location associated with tales of the supernatural. In the end, whether the Highgate Vampire was real or not, its legend continues to perpetuate, reminding us of our fascination with the unknown and our enduring belief in the possibility of things that go bump in the night..

Reviews for "The Highgate Vampire: A Supernatural Terror Haunting London"

1. John - 1 star
I was really looking forward to watching "The Curse of the Highgate Vampire" as I am a big fan of vampire movies. However, I was extremely disappointed by this film. The storyline was weak and predictable, and the acting was subpar. The supposed scares were more laughable than terrifying. Overall, it felt like a low-budget B-movie that failed to deliver any genuine horror. Save yourself the time and skip this one.
2. Emily - 2 stars
"The Curse of the Highgate Vampire" had the potential to be an interesting vampire flick, but it fell short in many ways. The pacing was slow, and the plot lacked depth. The characters were poorly developed, making it difficult to connect or care about them. The special effects were also quite underwhelming. While there were a few spooky moments, they were overshadowed by the overall mediocrity of the film. I would only recommend it to die-hard vampire enthusiasts who are willing to lower their expectations.
3. Sarah - 2 stars
I was excited to see "The Curse of the Highgate Vampire" based on the intriguing premise, but unfortunately, it failed to live up to my expectations. The plot felt disjointed and lacked cohesion, leaving me confused about what was happening. The acting was wooden, making it hard to invest in the characters' struggles. The film had potential, but it missed the mark with its weak execution. Overall, I found it to be a forgettable and uninspiring vampire movie.

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