The hog mascot has become an iconic symbol representing the state of Arkansas. Known for its strong and resilient nature, the hog embodies the spirit and values of the state's residents. The University of Arkansas has adopted the nickname "Razorbacks" for their athletic teams, further solidifying the hog as a symbol of pride and strength. The origins of the hog mascot can be traced back to the state's rich agricultural history, where pig farming played a significant role. Over time, the hog has come to represent the hardworking and resilient nature of Arkansans. Today, the hog mascot can be seen not only at sporting events but also on various state emblems and merchandise.
MagicDeathEyeStereo
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it! The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous!”
So apart from the second channel, which, unlike in its hardware role model, has already been added in the “mono” MDE plugin, we have an added EQ section here, and the compression curve is actually quite different from the mono version. If one would ask about the difference in purpose of the two, the mono compressor would usually go on individual tracks, while the stereo compressor, with its noticeably more gentle compression curve and the additional EQ options, would go on the master buss.
Of course, while trying to stay as close to the hardware as possible sound-wise, we have again taken the liberty to implement some additional goodies in the software plugin: the high frequency EQ can be applied to the full stereo field, the mid or the side signal only. Conversely, for the low frequency range, an optional elliptical filter on the side signal will be very helpful when mastering for vinyl. The amount of harmonic distortion can be varied from 0 to 100 percent, where 50 percent corresponds to the level of the hardware unit. In- and output gain can be linked. Finally, there is an option for 2- or even 4-fold oversampling within the plugin!
Clearly, this magnificent tube compressor is not just a slight variation of the mono model: while effortlessly demonstrating that smooth and musical MagicDeathEye signature sound, it has a different feel to it. The few fortunate people who were already able to score their own build of both the mono and the stereo version (they are hard to come by as Ian is building each and everyone of them by hand) will know what I’m talking about! For the rest of you, now is your chance to compare the two masterpieces in the box!
“I love how warm and present the MDE makes my vocals and guitars. The new mastering version is also unique to all the other mastering compressors because of how musically it treats the midrange.” Michael Brauer (Grammy winner, Coldplay, John Mayer,…)
Available as a VST, VST3, AU and AAX plugin in 32 and 64 bit format for Windows and Mac OSX (10.7 and higher). Intel & Apple Silicon supported. The plugin is also available for iOS as a plugin in AUv3 format, which you can directly use in compatible hosts like Garageband or Cubasis…
Documentation
NOTE: If you don’t feel comfortable sticking a small screwdriver on the circuit board pot don’t do it. Just set the big screwdriver adjust balance pot on the front panel in the center most position after replacing the tubes. The balance LED light will probably be either red or green with no audio. The color of the light has nothing to do with the sound. Just ignore it and let you ears decide when the tubes become unbalanced in the future.
1) Unplug the unit and take the cover off by unscrewing all the phillips screws on the top. Then remove the two top allen screws on the front panel, one above the input knob and one above the time constant knob. Remove top.
2) With a flat head screwdriver twist the front panel balance pot both directions to get a feel for where the center of the turn is. If it had a knob on it (it doesn’t) and numbers from 1 to 10, you would want to the knob to sit at 5. Leave it in the middle.
3) Remove the 8 tubes by slightly rotating them while pulling up. Put them aside.
4) The new matched set of tubes will be numbered 1-8 in they’re boxes. Put them in according to the diagram below.
5) Make sure all tubes are in firmly. Plug the unit in and turn it on. Let the compressor warm up for a good 15 minutes.
6) After warm up, the LED on the front panel will most likely be red or green. Use a small eye glass screwdriver to adjust the small pot on the tube board circled in the picture above. This is where you should be careful not to drop the screwdriver onto the tube board around the tubes since there is 200V on the board. Keep turning it till the LED turns off. If you keep turning it further the LED will turn the opposite color. You don’t want it to be red or green but right between the two colors and off. It may take many turns to turn the led off. If it wont turn off after 10 or so rotations, turn it the other way.
7) Turn the unit off and unplug it. Replace the top, all the phillips screws, and the two allen screws on the front. Your done.
****New style – Tubes out the back****
Same basic principal as the old style. You must rotate the tubes in order to remove them. I recommend using electronics lubricant spray for re-installation of the new tubes. Spray some on the new tube pins before you put them in. It makes installation a lot easier.
***Balance LED adjustment on the new MONO version with the tubes sticking out the back***
Again, after tube replacement and front panel screw driver pot centering. Adjust the multiturn trim pot inside the MONO compressor until the front panel LED turns out.
***A word about tube matching***
The variable mu tube circuit needs tubes to be matched in order to be able to achieve deep gain reduction without “thumping” or “fluttering”. All 8 tubes don’t have to be matched perfectly. However, it is important that the two vertical tubes in the set of 8 match very closely.
The most common problem with the GE tubes I use is a “ticking” or “splatting” sound that sometimes starts to happen after a year or so of use. If the noisy tube can be found by gently tapping on each tube while monitoring the compressor pretty loud, you can just replace the vertical tube pair instead of the whole set.
****Stereo compressor complications****
With the stereo compressor, we want the two sides to compress the same and to achieve this, both sets of tubes must be closely matched. Its a bit of a hassle to replace 16 tubes so its best to sent the unit back to me at the Magic Death Eye castle so I can install both sets and calibrate the unit for best performance. Service is always free, the user only pays shipping and tube cost.
Adjusting the balance LED is a little more complicated as well. The balance pot is a multi-turn pot so it is harder to find the center after a new re-tube.
Replacing noisy tubes video.
MagicDeathEye DDMF compressor 4+
True hardware compressor emulation on mobile devices!
MagicDeathEye is an emulation of a high-end tube compressor, available in AUv3 and interapp audio format. It is totally unique in the way it was molded from the ground up. Working together for almost a year Magic Death Eye and DDMF offer an extraordinary compressor, rich in sound, easy to control, and pleasing to the eye! We hope you enjoy it so much, it becomes your go to compressor and an indispensable mix tool.
The Magic Death Eye compressor excels at vocals, bass, keys, or just about any instrument you can think of. Its gentle compression curve is also suited for master buss duties. There is a broad range of sidechain timings for just about anything a mix can throw at it.
Input level controls the amount of signal that enters the intelligently modeled input transformer, tubes, and output transformer.
Threshold controls the amount of signal fed to the sidechain circuit and can be thought of as the amount of compression applied to the signal. The amount of compression available is also determined by the amount of input signal present.
Clicking on the "output adjust" will produce a fader with a +5dB to -20dB range acting as a master volume post compressor circuit. This is a modification to the original hardware unit in where there is only 3db of fine adjustment available.
The "time" knob controls the attack and release of the compression. "1" is the fastest attack and release, "4" is the slowest. "D1" and "D2" have a fast attack, and a dual release, from medium to slow.
The "attack" switch, modifies all the "time" settings with an overall Fast, Medium, or Slow. response.
The "150Hz filter switch, when in the UP position, lessens frequencies under 150Hz sent to the side chain. Use this switch if you don't want low frequency material like a kick drum to pump the rest of the music. Very useful for gently compressing a whole mix.
Staying true to the hardware, The bypass and power switch have the same function. Both preform a hard bypass in which the signal is not processed.
Today, the hog mascot can be seen not only at sporting events but also on various state emblems and merchandise. Whether it's cheering on the Razorbacks or proudly displaying a hog emblem, the people of Arkansas embrace their beloved mascot as a symbol of unity and strength..
.
Reviews for "The Impact of the Arkansas Hog Mascot on Recruiting"
1. John - 2 stars
I was really disappointed with the hog mascot representing Arkansas. I found it to be unappealing and unattractive. The design of the hog was not eye-catching and lacked creativity. Additionally, the mascot seemed unenergetic and didn't engage with the crowd during the game. Overall, I was expecting something more exciting and memorable, but unfortunately, the hog mascot fell short.
2. Sarah - 1 star
I have to say, the hog mascot representing Arkansas is one of the worst mascots I've seen. It's just a generic-looking hog costume with nothing unique or intriguing about it. The lack of personality and creativity is evident in the design and the way the mascot performs during games. I was hoping for a fun and captivating mascot to represent our team, but instead, we got a boring and forgettable one. It's a shame because a good mascot has the potential to uplift the spirits of the crowd and generate enthusiasm, but the hog mascot definitely missed the mark.
3. Jessica - 2 stars
I understand the significance of having a hog mascot to represent Arkansas, but the execution could have been much better. The mascot costume looks outdated and lacks the vibrancy that other mascots possess. It fails to capture the attention of the audience and doesn't ignite any sense of excitement. Furthermore, the movements and interactions of the hog mascot are limited and unimpressive. Overall, it feels like a missed opportunity to have a memorable and engaging mascot for the team.
4. Mike - 3 stars
While I didn't hate the hog mascot representing Arkansas, I wasn't particularly impressed or thrilled by it either. It felt like just another average mascot that didn't stand out from the crowd. The design could have been more dynamic and visually appealing. Moreover, the mascot's performance during the games lacked enthusiasm and energy, making it fall flat when compared to other mascots in the sporting world. Though it didn't necessarily ruin the overall experience, the hog mascot did leave something to be desired.