How to remove old adhesive from your Scosche magic mount before replacement

By admin

Scosche magic mount replacement adhesive is a product that allows users to replace the adhesive on their Scosche magic mounts. These mounts are popular for holding smartphones and other devices securely in place while driving. However, over time, the adhesive on the mounts may lose its grip and need to be replaced. The Scosche magic mount replacement adhesive provides a simple solution to this problem. The replacement adhesive is easy to use and does not require any special tools or expertise. It comes in a pack with multiple adhesive strips, allowing users to replace the adhesive on their magic mount multiple times.



Twanging Your Magic Clanger

It is not a common expression but I am pretty sure it refers to masturbation or sex.

My guess is that magic clanger = penis

Gdiaz05

New Member
Spanish

I'm think the same.

Clanger means blunder, bloomer or mistake. So I beleive that Touching (Twanging) your Magic clander should means "masturbation" .

In fact the phrase I heard from Two and Half Man Serie

Lis48

Senior Member
English - British

I would say that a clanger ( or more correctly a clapper) is the part of a bell that swings from side to side making the noise when it strikes the side. Hence the analogy to a penis hanging down, rather than from the meaning of clanger as a mistake.

sdgraham

Senior Member
USA English

Just about anything seems to have a sexual reference these days, but I suspect the expression comes from:

Back in the distant past, i.e. before television, there were certain "action shows" on radio on Saturdays for youngsters. One of these shows was sponsored by the Buster Brown Shoe Co. and was hosted by a fellow called "Smiling Ed McConnell"

There was also a fictional character called "Froggy the Gremlin" who would "appear" (remember, this was radio) when old Smilin' Ed said "Plunk your magic twanger, Froggeeeeee!"

Froggy "appeared" with a twanging sound and the folksy "Hiya kids. Hiya, Hiya."

Translation of this sort of thing into another language while retaining the nuance and presumed entendre double is indeed a challenge.

twanger

On "Closet Femme," another twanger , Reid outs herself as someone who, after work, likes to go home and slip on women's clothing--it's a funny and hummable tune.

In the writing trade, if you win a Pullet Surprise, this is the Heisman Trophy, Get Out Of Jail Free card and Magic Twanger all rolled into one, and though it's awarded by a roomful of large enchiladas at Columbia University in New York, and The Upper West Side Prize would be a more accurate brand name, nonetheless it has juju power all across the land.

Live at the Ryman, Kitty Rose (Wild Affair) A classic country troubadour, lesbian twanger Kitty Rose started out in the grand ol' country way: from a Houston choir to performing at the Super Bowl at 12 and having her first song published at 13.

INSTANTLY recognisable as the international anthem of long-haired surfer dudes, this toe-tapping 1963 guitar twanger gets you rocking right from the first bar.

Ten University of Oregon students surprised the audience and got a thrill of their own when they joined Lyle Lovett on stage at the end of the Texas twanger 's concert in Eugene.

This last afternoon turned out to be another nerve twanger , like the first morning, as we found ourselves surrounded by yelping, gobbling turkeys.

But he had flair and shamelessness; he was a one-man band, a twanger of heartstrings, a thumper of tubs.

But curiously, my husband didn't seem all that keen on his wife becoming a Jockstrap Twanger . Gravel-voiced Andy would speak the incantation, "Plunk your magic twanger , Froggy!"

The summer standings are also looking fairly healthy so far with country twanger Hal Ketchum ready and willing to appear.

Things get to a rollicking start with "The Devil's Paintbrush Road," a true twanger by newcomer Annabelle Chvostek (who replaced Cara Luft), enhanced by Ruth Moody's terrific banjo playing.

Twang your magic twanger

Sex + death, the two go to bed together like cotton and thread, weaving celluloid flytraps, sticking like glue to our attention span's twitchy antennae. And in horror movies, chicks with curves and fangs, guys with rods and pokers, it all comes together, and the girls are named. Jennifer? Oh, Jennie!

But dig, why do we need the moralist, the conscience? What's wrong with offing the transgressors if they happen to be misogynist frat boys? Why is it that people who loved Juno hate Jennifer, and I who hated JUNO love Jennifer, oh Jenny! I can tell ya, cauze with Jennifer, Cody shows she can write dialogue without sounding like everything is in quotes.

JENIFER (2007) Directed by Dario Argento
A little hour-long masterpiece by the king of creepiness that comes highly recommended, especially for anyone whose ever been in an unstable relationship with a chick named Jennifer. I don't even want to get into the plot, suffice it to say that it's creepy, gory and explores issues of male sexism, perversion and obsessive lust like none other.

JENNIFER'S BODY (2009) Directed by Karyn Kusami:
I couldn't even get all the way through JUNO and I love Ellen Page so it figures I'd hate JENNIFER'S BODY. But it's actually not the case. Maybe my expectations were rock bottom low, and I watched it immediately after the far more depressing and vaguely similar DEADGIRL (2008), but I liked JENNIFER'S BODY. Ten minutes into it I was already jumping off the anti-Cody bandwagon.

I still am against JUNO, which to me is the movie version of that new kid in school who looks kind of old, and shows up in your home room with hip clothes six years out of style, and everyone but the teachers instantly peg her for a narc. Much as I love Ellen Page, she can't fool me. JUNO is a freaking narc. But JENNIFER'S BODY goes deep into the crucible of gender/sex-related teen horror and finds the root chords and plucks them like a magic twanger, Froggy. It knowingly nods to other films and drops arcane faux-slang, but since it's not in service of some icky agenda it strengthens its sense of otherworldly metaphor. JB plays out like a fever dream that more established women directors like Jane Campion and Catherine Breillat sometimes over-shoot but punchy little Karyn Kusama (below right) nails it and comes up with a perfect popcorn technicolor myth.

Kusama's big breakout film was GIRLFIGHT, which may help explain the ease with which strong women characters come tumbling out of JENNIFER'S BODY: "I have a lot of empathy for those girls who just can’t seem to find a place for their kind of energy, their kind of intensity," she said about GIRLFIGHT and that seems a good explanation for the strong sense of "perfect click" between Cody's award-winning sass and Kusama's colorful comic book moxy. They're not afraid to linger on a long close-up lesbian kiss or a gut-munching, and they can show the heroine dismiss her boyfriend as too weak to help when the girls go off to battle. Kusama's not afraid to go there, to have the hipster boy toy be the one who cries and pines at home while our heroine goes off and rips the joint up.

As for DEADGIRL (2008). That film, oh man. It's well-made, low-key and brave in exploring the ugliness of the high school male sex drive, but so what? I'll just ask another question: if society collapsed and zombies were rampant, what is the first thing you'd want to do? Loot a liquor store? Steal that NM copy of Fantastic Four #1 out of the comic store window? Pack your car with firearms and dogfood and head off into the mountains? If the first thing you imagine yourself doing is chaining yourself up a nice naked zombie sex slave then, God help you, here's DEADGIRL.

I will advise this as alternative: why don't you operate on the realistic level and take home a chick whose not as hot as Megan Fox--not even close--but who's sweet and has a nice personality? Megan Fox is supposed to be very unpleasant to work with, and a less hot chick might be nicer. Anything should be better than a snapping, filth-encrusted living dead woman with jet-black eyes and gnashing teeth to come home to every night. Good lord, it's such a depressing and strained metaphor and meanwhile sex slavery is a horrific reality. When you use ugly brutal reality as a metaphor for teenage hormonal longing, that's moving in the opposite direction of what metaphor is all about!

I appreciate what I think the DEADGIRL people were trying to do. I was dimly aware of some feminist subtext in there somewhere, some critique of male objectification, but in the end it's just a stream of dank basement scenes of dislikable male characters spewing some well-written gutter dialogue. The worst is the brooding nominal hero who spends his days behind library stacks while his lady love does homework with her jock boyfriend. Other outcast horndogs include a sniveling skate rat, and as the gone from geek-to-ghoul local douche-bag--a variation of Arnie in CHRISTINE (1983)--a very cool and interesting actor I've never seen before, Noah Segan. I loved his Mike Nesmith-style southern twang, which interestingly was the same exact twang Alexis Kanner spoke with in GOODBYE GEMINI [1970], which I saw just the night before! Another plus is the poorly rendered but admirably conceived oral castration scene and I'll confess those sort of things always cheer me up when I'm feeling ashamed of my gender and its inherent objectives. Apparently this drubbed up a lot of internet debates, so I'll leave you with a nice quote from Salon's Andres Ohehir:

So in closing, remember when shopping for Jennifers, stick with the brands you know: Argento's version, JENIFER, from the Masters of Horror series, is horrific, brilliant and best of all only one hour long (You can cue past the opening credits featuring two cops gobbling Chinese food on stakeout, kinda gross.) And the sexy, sleek JENNIFER'S BODY has surprising heft thanks to its solid fairy tale-archetypal bones and the one-two punch of Cody's deadpan dialogue and Kusama's girl-power momentum. Plus, now that I know who Megan Fox is, I'll never forget her. She's pretty cute, and her hair is perfect, Awooo! Lycanthrope a Londres.

Meanwhile, a bespectacled Amanda Seyfried gets stuck with the moral conscience in this one; hers is the tired burden of having to say "Jennifer, you can't just go around killing people all the time!" which, of course, the audience and the film disagrees with. God! I hate that in every movie there's this super drag moral conscience character and we're supposed to feel for them as they sit in class acting all stoic while they carry the burden of being the only one who knows their BFF is a cannibal demon zombie, or sleeping with one, or killing jocks, or obsessed with a Satanic car that kills jocks. Man, but you know whose movies have no such moral center? Dario Argento! JENIFER flows free and easy without any such moral cockblocking. Just gird your loins and get ready to flip your wick back into its waxy nest, never to rise and burn again, for the true Swordman 2 has castrated himself for maximum kung fu power!!

It comes in a pack with multiple adhesive strips, allowing users to replace the adhesive on their magic mount multiple times. The strips are designed to be strong and durable, ensuring that the mount will stay firmly in place. To use the Scosche magic mount replacement adhesive, users simply need to remove the old adhesive from their mount and clean the surface thoroughly.

Scosche magic mount replacement adhesive

Then, they can peel off the backing from the replacement adhesive strip and apply it to the mount. It is important to apply firm and even pressure to ensure that the adhesive properly adheres to the surface. Once the new adhesive is in place, users can attach their smartphone or other device to the mount as usual. The strong adhesive will securely hold the device in place, even during bumpy rides or sudden stops. Overall, the Scosche magic mount replacement adhesive provides a convenient and cost-effective solution for users who want to continue using their magic mounts. With its easy application and durable adhesive, it ensures that the mount will stay securely in place, providing a safe and convenient way to use smartphones and other devices while driving..

Reviews for "Choosing the right surface for your Scosche magic mount replacement adhesive"

1. John - ★☆☆☆☆
I purchased the Scosche magic mount replacement adhesive after the original adhesive on my mount started to wear off. Unfortunately, the replacement adhesive did not live up to my expectations. It was extremely difficult to apply and did not adhere well to the surface. Within a few days, the adhesive started peeling off, causing my phone to fall off the mount multiple times while driving. I tried reapplying the adhesive, but it would not stick properly, rendering the whole product useless. I would not recommend this replacement adhesive to anyone.
2. Sarah - ★★☆☆☆
I was disappointed with the Scosche magic mount replacement adhesive. The adhesive itself was of poor quality and did not provide a strong hold. The instructions for application were also unclear and I ended up struggling to correctly position the adhesive on my mount. Even after following the instructions carefully, the adhesive did not last long and my phone would often slip off the mount while driving. I had to constantly readjust the phone, which became a major distraction. Overall, this replacement adhesive did not meet my expectations and I would not purchase it again.
3. Alex - ★★☆☆☆
The Scosche magic mount replacement adhesive did not work well for me. It was quite difficult to apply and did not stick securely to the mount. It started peeling off within a few days of use, causing my phone to become unstable and fall off multiple times. Additionally, the adhesive left a residue on my mount when I tried to remove it, which was difficult to clean off. Overall, I found this replacement adhesive to be ineffective and unreliable.

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