"Sufficiently advanced magic" is a concept often used in fantasy literature and games. It refers to the idea that as magic becomes more advanced or powerful, it can appear and function in ways that are indistinguishable from advanced technology. This concept stems from the famous quote by Arthur C. Clarke, which states, "Any sufficiently advanced technology is indistinguishable from magic." In the context of fantasy, this concept allows for the exploration of magic systems that operate with rules and limitations similar to technology. The magic described in such systems is often highly complex and can be used for intricate purposes.
The magic described in such systems is often highly complex and can be used for intricate purposes. It may even mirror real-world scientific principles, such as the laws of thermodynamics or quantum mechanics. With "sufficiently advanced magic," the magical abilities or spells may seem like supernatural phenomena but can be broken down and understood through logical reasoning.
Cartoon Voices of the Golden Age, Vol. 2
Volume Two of CARTOON VOICES is the massive reference companion to Volume One. This is the information for which animation enthusiasts have been waiting. Based on thirty two years of painstaking research in archives and libraries, this volume features an exhaustive listing of thousands of theatrical cartoons, containing never-before-published voice credits for hundreds of obscure acting talents who until now remained unidentified.
The listings herein cover the Golden Age output and voice talent of the following major film studios: Warner Bros. (the immortal Looney Tunes and Merrie Melodies), MGM (cartoons by giants like Hanna-Barbera and Tex Avery), Columbia (the often oddball Screen Gems cartoons), UPA (home of Mister Magoo), Universal (the Walter Lantz Cartunes), Walt Disney Productions (both shorts and feature-length films of the Golden Age supervised by Walt), and from New York & Miami, Paramount’s releases of the great Max Fleischer cartoons.
While various vintage cartoon voice mysteries are still to be solved, the one-of-a-kind information in this volume finally confirms hundreds of hitherto uncredited voice artists for the first time in decades.
Keith Scott has spent over forty years as an internationally recognized cartoon voice actor and impressionist. He narrated two George of the Jungle movies, and was the voice of both Bullwinkle J. Moose and the Narrator in The Adventures of Rocky and Bullwinkle. He is the author of The Moose That Roared and many articles on animation and Hollywood radio history.
The listings herein cover the Golden Age output and voice talent of the following major film studios: Warner Bros. (the immortal Looney Tunes and Merrie Melodies), MGM (cartoons by giants like Hanna-Barbera and Tex Avery), Columbia (the often oddball Screen Gems cartoons), UPA (home of Mister Magoo), Universal (the Walter Lantz Cartunes), Walt Disney Productions (both shorts and feature-length films of the Golden Age supervised by Walt), and from New York & Miami, Paramount’s releases of the great Max Fleischer cartoons.
These magical systems often require intense study and practice to master and exploit. This concept introduces a sense of wonder and mystery to the world in which the story takes place. It creates a fusion of the fantastical and the rational, blurring the lines between magic and science. This can lead to unique storytelling opportunities and allow for the creation of intricate and believable magical worlds. However, "sufficiently advanced magic" does not necessarily mean that all magical systems in fantasy need to be explained scientifically. It is simply a tool used to enable complex and logical magic systems that align with the principles of advanced technology. The focus is on creating an internally consistent and coherent magical world that engages the reader's sense of awe and fascination. Overall, "sufficiently advanced magic" contributes to the depth and richness of fantasy storytelling. It allows authors to create magic systems that are both fantastical and logical, sparking the imagination of readers while still grounding them in a sense of order and rationality. This concept is a testament to the boundless possibilities of combining science and magic to craft captivating narratives..
Reviews for "The Psychology of Sufficiently Advanced Magic Users"
1. Peter - 2/5 - I was really disappointed with "Sufficiently Advanced Magic". The pacing of the story was incredibly slow and the plot felt convoluted. The author introduced too many characters without properly developing them, leaving me confused and uninvested in their fates. The magic system, which was supposed to be a highlight, felt overly complicated and bogged down the narrative. Overall, I found this book to be a letdown and struggled to finish it.
2. Sarah - 3/5 - While "Sufficiently Advanced Magic" had some interesting ideas and a unique magic system, the execution left much to be desired. The writing felt dry and lacked emotional depth, making it difficult for me to connect with the characters. The constant infodumps about the magical world and its intricate rules became overwhelming, taking away from the overall enjoyment of the story. I can see how this book can appeal to fans of complex fantasy worlds, but it just wasn't my cup of tea.
3. Michael - 2/5 - I have to admit that "Sufficiently Advanced Magic" didn't captivate me at all. The protagonist was bland and lacked any real depth, and the supporting characters were forgettable. The dialogue felt stilted and unnatural, making it difficult to become immersed in the story. Additionally, the book suffered from pacing issues - it was slow and dragged on for far too long. I was hoping for a more engaging and dynamic fantasy read, but unfortunately, this one fell short for me.