The phrase "that witch a hundred times over" is a powerful statement that conveys intense negative emotions towards someone. It insinuates that the person being referenced is not just a witch, but is so witch-like that it surpasses any ordinary concept of a witch. The repetition of "a hundred times over" emphasizes the extent to which this person is deemed as wicked and malevolent. This phrase is often used figuratively to describe someone who is seen as intentionally causing harm or manipulating others for their personal gain. It suggests that the person is extremely cunning, deceptive, and capable of casting spells to control or hurt others. It paints a vivid image of a person who is to be feared and avoided at all costs.
Zhang’s actors unfortunately emote to the rafters, leading to third-act demos of “acting” that put none of his talented stars or support in a good light. Chow, perhaps the ultimate figure of gun-toting H.K. action, is made to look older and gray here and appears unsuited to the throne. Gong projects fear, but her limited range in the role of Empress and her theatrical excesses look odd on the bigscreen.
With The Emperor - Chow Yun-fat The Empress - Gong Li Prince Jai - Jay Chou Crown Prince Wan - Liu Ye Imperial Doctor s Wife - Chen Jin Imperial Doctor - Ni Dahong Chan - Li Man Prince Yu - Qin Junjie. Lenser Zhao Xiaoding also on Zhang s Riding Alone for Thousands of Miles and Flying Daggers opts for a riotous use of colors, but like the rest of the project it s simply too much.
It paints a vivid image of a person who is to be feared and avoided at all costs. While the term "witch" traditionally refers to a person, it can also be used metaphorically to describe a situation or object that is causing distress or difficulty. In this context, "that witch a hundred times over" could be used to express frustration and a desire to be free from a persistent problem or obstacle.
Curse Of The Golden Flower
Fear and loathing in the Forbidden City! Emperor Ping (Chow Yun-Fat) returns from the wars to celebrate the Chrysanthemum Festival with the mysteriously ailing Empress Phoenix (Gong Li). Does he suspect she has been carrying on an affair with her stepson, Prince Wan (Liu Ye)? Will Wan elope with his lover, the Imperial physician’s daughter? And why on earth is the Empress stitching thousands of yellow armbands? These questions, and many more, are enjoyably resolved over two hours of domestic intrigue, double-cross and ever more elaborate costume-fittings. Back when he was making a name for himself in the late 1980s/early 90s, the Chinese dubbed Zhang Yimou ‘the peasant director’ in recognition of earthy fare like Red Sorghum and To Live. More recently he’s been riding the Crouching Tiger wave with action spectaculars like Hero. After this deliriously decadent melodrama they’ll have to call him ‘the mad king’: there’s more gold here than in Fort Knox. The palace is a gaudy bauble of lurid sapphires, opals, and jades while on this evidence the Tang Dynasty dressed for excess (Gong’s corset deserves a best supporting Oscar nomination in its own right). The series of dramatic last reel reversals would make Hamlet look anti-climactic, but the actors are definitively upstaged by stunningly choreographed, color-coordinated troop maneuvers and Zhang’s own obsessively florid embroidery. Ironically the highlight is virtually monochrome, a nocturnal assault by gravity-defying ninja assassins which feels like it belongs in a different film entirely.
Pic develops some fun intrigue when a disguised woman reveals to the Empress who’s poisoning her and with what. The plot thickens when it turns out the woman is the Imperial Doctor’s wife and Chan’s mother, as well as the Emperor’s ex-wife and Wan’s mother.
Overall, the phrase "that witch a hundred times over" is a strong and evocative expression that conveys intense negative feelings towards someone or something. It captures the idea of extreme malevolence and highlights the desire to distance oneself from the person or situation in question..
Reviews for "The Witch Trials and the Power of Collective Hysteria"
1. Emma - 2/5 stars
I was really disappointed with "That witch a hundred times over". The plot was predictable and lacked originality. The characters were one-dimensional and I couldn't connect with any of them. The writing style felt forced and unnatural, making it difficult to get through the book. Overall, it was a forgettable and mediocre read.
2. Mark - 1/5 stars
I can't believe I wasted my time on "That witch a hundred times over". The story was completely uninteresting and the pacing was incredibly slow. The dialogue felt forced and unrealistic, making it hard to believe in the characters. The author tried to incorporate magical elements, but it came across as cheesy and poorly executed. I wouldn't recommend this book to anyone.
3. Sarah - 2/5 stars
"That witch a hundred times over" had so much potential, but it failed to deliver. The world-building was weak and left many unanswered questions. The main character lacked depth and I found it difficult to root for her. The pacing was inconsistent, with long periods of boredom followed by rushed action scenes. Overall, this book left me feeling unsatisfied and wanting more.
4. Alex - 2.5/5 stars
I had high hopes for "That witch a hundred times over", but it fell short of my expectations. The writing style was average, and the plot was predictable and lacked originality. The romantic subplot felt forced and unnecessary. While the concept had potential, the execution left much to be desired. I was left wanting more depth and complexity from the story and characters.
5. Megan - 1.5/5 stars
I struggled to finish "That witch a hundred times over". The writing was amateurish and lacked polish. The characters were flat and lacked development. The pacing was inconsistent, with long stretches of nothing happening followed by rushed, confusing action scenes. The plot was unoriginal and felt like a cliche. Overall, I was thoroughly disappointed with this book.